|
|
|
|
|
| |
|
|
|
|
|
|
|
|
A Dead Poem is a relatively new band from Brazil, a duo made up by Martin Combate on lead guitar and bass, alongside Be Misanthropic on vocals, guitar, drums and keys. After releasing a few digital single songs, and an EP, they have now prepared and unleashed their debut full-length album via Personal Records. I have seen the term goth thrown around in connection with this band, but I do not hear it myself. Yes, they do play moody and emotionally deep music, but it is not like dark emo vampire melodramatic music at all to me. Because honestly, if it was, you probably would not being seeing a review of it in the pages of Canadian Assault. I suppose it could come down to individual definition, but no, for me no goth here. Maybe gothic in vibe, overall. For myself it is too heavy, dismal and introspective for it to be reduced to that term, but again that is my definition I suppose. A Dead Poem play blackened death doom metal in an older style that greatly appeals to me. It was a time where I was a fan of it, before a lot of these bands, back in the late ‘90s and beyond went soft. I mean that in every way they stripped away their brutality, their darkness, their extreme vocals and dived head first into more commercial melody and prettier softness. I am talking here about the early good works of bands like Paradise Lost, My Dying Bride, Katatonia, Anathema and similar. This is the style, atmosphere and vibe of those bands earlier years where A Dead Poem resides. I hope this band does not follow their progressions and and stay in this mode, but time will tell on that. I do very much enjoy their crepuscular emotion, the somber gloom they inject into their eerie and heavy death doom. They have a great feel for it and let things breathe and meander, without losing grip of the tether of the song, and keep things moving at an even and slow pace. The shadowy, whisper-y and slightly rasping death growls of Be Misanthropic are a picture perfect compliment to the music here. Besides the rasping edge, his vocals remind me a lot to Nick Holmes on those classic Paradise Lost albums. He captures that same wonderful tight rope walk between the extreme and masterful conveyance of grim, sorrowful emotion. These two men that make up this band clearly worship that same time period I spoke of. They have reproduced it here faithfully, alongside their own touches on this classic and timeless musical movement. A worthy debut. - Dale
https://www.facebook.com/adeadpoem.doom
https://personal-records.bandcamp.com/
|
|
 
This is a
re-press of this long sold out 2019 album. Abduction from the UK is
a solo band from A/V (aka Phil Illsley), and is the bands third
album, despite this release being only three short years after the
bands inception. That is an impressive catalog of music A/V built
up, in a short amount of time, all of which was preceded by a demo
tape as the bands debut recording. With all of that in mind, I am a
little taken aback at the quality of the music on here, from a
single man, who was pumping out a full-length album every year. The
music on here is malevolent and frosty black metal, yet everything
on here is coated with a thick, dense aura of flowing sinister
ambiance. The material and the songwriting feel gets me on this
album, you experience the haunting evil yet there is an emotive and
introspective quality, that lulls me into a brooding trance, at
times. The vocals fit the music perfectly as well, with their
obscured slightly growled, and moderately rasped blend, which is all
underpinned with a whispering echo-y disembodied quality. This is an
excellent piece of black metal with an otherworldly, celestial bent
that I very much enjoyed. I can see why Inferna Profundus decided to
re-release this album, after it’s initial run, because I missed out
on it the first time and I am sure I am not the only one with a
second opportunity to get this quality album. - Dale
https://abduction616.bandcamp.com/
https://www.ipr666shop.com/
|
|
Abreaktion is a new Chilean band that was started in 2023 that plays traditional thrash metal. These musicians know how to play their respective instruments and create some very well played strong material on this recording. The guitars are performed with skillful writing ability that features some memorable songs with catchy passages. The guitars are a mix of whirlwind fast paced riffing and adding in some well written sharp solo's. They manage to create a nice dark atmosphere on these tracks. The vocals are traditional thrashy screams and wild hollering vocals that compliment the music well. The drum work on here is equally delivered with some faster well executed drum patterns. Abreaktion finish this release off with a rousing cover of Dark Angel's "Welcome To The Slaughterhouse". If you are a fan of traditional 80's style thrash metal then definitely pick up a copy of 'Bornhatred' today. - Patrick
https://www.facebook.com/Abreaktion
https://chaos-records.bandcamp.com/
|
|
 
The Greek
Abyssus has been around for nearly a decade yet this is my first
encounter with them. Prior ‘Death Revival’, their second album, the
band has released not counting their debut of full-length, no less
than eleven splits and EPs. Abyssus produce deathrash metal that is
absolutely top quality. The musicianship on here is superb, the
songwriting while tight and crisp, still manages to keep that heavy
brutality and produces a nice grimy audio aura. If you made me nail
it down I would call them a death metal band, but ultimately it is a
very even mix with their thrash metal roots holding in strong and
pushing for dominance. They are heavily influenced by late ‘80s US
thrash and most definitely influenced by late ‘80s and early ‘90s
Floridian death metal (ala Death, Malevolent Creation, Massacre,
Monstrosity, Deicide etc..). The biggest stand out influence by far
both musically and vocally (killer Tardy-esque vocals courtesy of
Kostas Analytis who puts in a monster performance behind the mic) is
Obituary. Now I know Abyssus do wear their influences deeply on
their sleeves, and that might turn some off, but honestly when it is
done this well, when the skill level is this high and the
songwriting strong then I am all about it. I really enjoyed this
album a lot if you are a diehard deathrash fanatic and adore
traditional roots and style of the genre, then I am certain you will
dig this album. As always with Transcending Obscurity the variety of
versions of all it’s releases and merchandise is diverse and top
quality. - Dale
https://abyssusgreece.bandcamp.com/ www.facebook.com/transcending
https://tometal.com/
|
|
 
I am a little
late getting on reviewing this album, oh well, anyways as is the
custom with Acid Witch this was a Halloween album release. These
veterans come from Detroit, which being the old goat I am I remember
well the reputation of that city and the surrounding areas (in the
‘80s/early 90s) as being notorious on devil’s night and all the
tricks, destruction and arson that heated up mischief night as we
often called it where I grew up in Canada. The music on “Rot Among
Us” in many ways is the musical and marvelous lyrical manifestation
of devil’s night! This album is quite a death doom metal ride with
killer heavy riffs, catchy twisted songs featuring creepy synth and
some subtle yet sickly sweet underlying guitar work. The story the
band conveys through crafty, diverse song construction is kind of
brilliant and surely highly entertaining to listen to. A strong
component of what makes this album tick is the superb multitude
array of vocals from growling, acidic gurgles, creepy narrator
voice, to whispers and shouts, it goes on and on and all are
excellent. One of my favourite voices on this release is the
distinctive Macabre style vocals, diehards of that band know exactly
what vocal I refer to here and it is a killer vocal style that I am
surprised more bands do not copy and employ. Speaking of Macabre
which I am a huge fan of; in many ways Acid Witch make me think of
what would happen if you combined Macabre and The Accüsed together,
and had their concepts be about Halloween and ‘70s / ‘80s classic or
cult classic horror movies into a death doom style. I am here for it
all fucking day and inky black night long! For many of us metal
demons, Halloween goes on all year, so better late than never on my
review, so with that spirit in mind just get this record
immediately! - Dale
https://www.facebook.com/acidwitchofficial/
http://www.hellsheadbangers.com/ |
|
I remember hearing the name of this British band over the years, long ago, but until now had never sunk my teeth into their audio offerings. This may be in part due to the fact that while they started way back in 1994, they only managed to release two albums prior to this new offering in all that time. What’s more is their last album was nearly 15 years ago!! As you might imagine there would be some line up changes over that long a period with next to no output. So much so, that the only founding member is vocalist Jaded Lungs, followed by drummer D. Molestor who came on board back in 2001. The other three members are all more recent additions over the last several years, but does notably count in those ranks two members of the excellent band Grave Miasma. I am going to cut to the chase here, the wait has been an extremely long one, but the result of that lengthy delay is an amazing fucking album! Judging from what is listed on Encyclopedia Metallum, I assume their sound has morphed on the years. They are called in their bio extreme metal, not a term but as an all-encompassing genre. I am not that big of a fan of this term, but I have to admit it really is an apt one on here. I mean if I had to drill down on it a bit. I would call them an extremely violent heavy metal band that mixes in elements of speed metal, thrash, alongside black and death metal as accents that thread snaking throughout their heavy metal sound, start to finish.This album is truly an audio sight to behold on the ears man haha. I mean everything sounds familiar and heard it before, but I am not sure I have heard it all combined like it is here. They take those traditional sounds, shaping and sculpting them in a form that is quite unique in style and execution. The song construction / pacing on here is phenomenal, it is pure high energy, it is lightning quick yet continually shape shifting and speed shifting in different directions. At the same time it is somehow not too busy, not schizophrenic sounding as their is order within the chaos. The music can be utterly bludgeoning and savage while still having some fairly intricate and refined guitar work that always keeps things interesting and you guessing. The performance from all involved is impressive, but with vocalist Jaded Lungs, well she is a true charismatic force of nature. Just like the music her vocal style while always keeping that main thread, also strikes out in every direction with all kinds of wild vocal flourishes and influences. Whether it be heavy metal siren song, or gruff thrashing yells, or slight death growling and even wisps of black metal rasping. This woman does it all and it is all filled with attitude, everything is vicious, violent and utterly wild with yet again with order coming through the chaos. I feel like diehards of traditional heavy metal and thrash will enjoy this most. But as mentioned there is so much more thrown in here I think fans of the other genres I mentioned above will also find things to dig. It may have taken fifteen long years, but Adorior have returned with what I feel is at the very least a minor masterpiece. - Dale
https://adorior.bandcamp.com/
https://www.darkdescentrecords.com/ |
|
Adversarial is a trio from Toronto, Canada. They have been releasing material as a band for some 17 years now! Having said that, you could certainly say the band is not a prolific one, as this album is only their third full-length album (alongside a few eps and two splits) in that long period of time. Quite often line-up changes cause this, but surprisingly they have had the same line up the entire time. I am sure they have their own reasons for that. But let’s move on to the music. Adversarial play very aggressive, hateful and speedy black / death metal that reminds me to bands like Blasphemy, Revenge, Tetragrammicide, Archgoat mixed with some early Incantation. This sound is underpinned with a gloomy atmosphere that reminds me slightly to Deathspell Omega. The pulsating riffs come at you in waves with a devastating performance of an order from chaos of carpet bombing on the drum kit. It is a cavernous cacophony of audio black blood that is truly enhanced by the sick roiling, gurgling, growling vocals that boil out of the vocalists mouth like the bubbling from breath of a gored human victim. This music is intense and maniacal, it may be too much for some listeners. But if you like some necrotic warring black death metal vitriol from time to time then you might want to give this one a try. - Dale
https://www.facebook.com/AdversarialOfficial
https://www.darkdescentrecords.com |
|
I remember hearing this bands name waaaay back in the day, we are talking early to middle 1990s. When I came across this promo I assumed of course it was a different band with the same name, much to my surprise this is in fact the exact same Long Island, New York band. Though to also be fair to myself, they did break up (after releasing two demos) for nearly 20 years, so it was an easy mistake to make. It is rather impressive after that long away, that three of four members are founding members, and these old veterans have been busy. As this is their third full length album since the reformation, over the last five years. I was not sure what to make of this at first. I can be a bit of purist when it comes to taking brutal death metal in too many different directions, pushing it very far outside of the envelope. But Afterbirth most certainly do just that, not only that but they manage to take tried and true sounds into interestingly adventurous paths yet do so while maintaining the core brutality and heaviness. That is a big part of the key right there in winning someone like me over. It is impressive the fluidity they achieve in the process of writing such soaring and interesting transitions, all the while crushing you in the filthy audio sickness. The music is not a million miles an hour, but it is harsh and boiling, while also being introspective and wrapping the whole thing in a very tasteful spaciously technical package. There is even a couple ripping guitar fills and galloping heavy metal parts, and they do not sound out of place or stupid…at all. Admittedly, a big part of the barbarous and harsh feeling comes courtesy of the impressive vocal work from the only non-founding member Will Smith. Who journey’s through everything from sinewy emotive obscured growling, to superb roiling sewer toad belching and bubbling, to more direct commanding growls and even a little higher pitch nasally screams. It has to be a hell of a challenge to put vocals this music, but I will be damned if Mr. Smith did not pull it off and never backs down a inch on his extremity. A lot of it you could not even call death metal, but it is so seamless and flowing, that it is hard for me to not call them progressive death metal. Which, believe you me is usually a type of tag that makes me roll my eyes and bristle at, but I will be damned if these talented visionaries have not figured out a way to make a skeptic like myself enjoy and accept this. If you want something different yet very much not commercial, heavy and brutal and so much more, then I really think you should do yourself a favour and listen to this superbly constructed musical spider web of an album. - Dale
https://afterbirthnydeathmetal.bandcamp.com/
https://willowtip.com |
|
While “Corrupting The Entempled Plane” may be this recently formed British bands debut album, it belies the fact that this band is far from short on experience. These lads have done time, or are still doing time in Abyssal, Úir, Sluagh, Belliciste, Neuroma, Of Spire & Throne, Black Talon, Scordatura and more. Ageless’ features a doomy style of death metal where they place importance equally both on crushing brutality and slowed down dooming ambiance. Ageless Summoning do it well, and invoke thoughts within me when listening to this of bands like Bolt Thrower, Benediction, Monstrosity, mid-era Morbid Angel, Immolation, Funebrarum, Gorguts and the like. They put their own character into these classic sounds though, which I appreciate. I find myself immersed in and swept away in the massive roiling, swirling riffs that occasionally speed up and turn up the brutality before suddenly diving into some all encompassing doom death metal audio suffocation. It is a great and gratifying rollercoaster ride of interesting and skillful songwriting. I love how they make some of the guitar parts howl, scream and moan, and that is not just hyperbole here, it is amazing how the range of emotion and mood they manage to pull out of this music. This results in a very affecting yet somehow upsetting in a very satisfying way. Yes, there is some really good and more nuanced then you would think guitar work that is going on here. The vocals of Ali Lauder here are immense, commanding and spread themselves out with deep elongated classic growls that slither and weave through the music like an imposing serpent. Those vocals definitely remind of some of the great vocalists from the bands mentioned previously. If you worship those bands above and ‘90s British and American death, and also love a little doom mixed in then you definitely need to give this band a try. - Dale
https://www.facebook.com/agelesssummoning/
https://www.darkdescentrecords.com/ |
|
Aldaaron is a two man band that comes out of France's black metal scene. 'Arcane Mountain Cult' is the bands third album. It features seven songs and three very well performed instrumentals. five tracks that combine epic and brutal fast black metal passages to create a memorable release. Starting off with a short intro of somber music and blowing wind. The guitars range from extremely fast to a more melodic and slower mid paced range. Both fast and the more calm mid paced guitars are played with skillful writing. The drums are a mix of fast blasting and some slower mid paced drum patterns. The vocals are excellent grim and raw black metal screeches and screams. 'Arcane Mountain Cult' is a great release of quality black metal. Moving along to their fourth album now, it features seven songs and three very well performed instrumentals. The music on this newer release is once again a mix of extreme fast paced sequences mixed with more melodic passages are added into the new songs. The guitars are played with once again with a mix of fast and mid paced guitar passages that are flawless in their commanding delivery. The guitars are done with skillful ability whether lightning fast or at a more controlled middle pace. The vocals are grim raw, harsh black metal screams. 'Majestic Heights, Melancholic Depths' is another great release from this French black metal duo. If you are a fan of original, quality black metal then do yourself a favor and check out Aldaaron today courtesy of the excellent Paragon Records. - Patrick
https://aldaaron.bandcamp.com/
https://www.paragonrecords.org/ |
|
'Par-Dela Les Cimes' is the fifth full length from France's Aldaaron. This new release is a masterpiece of pagan black metal that combines both cold atmospheric music and some aggressive fast paced black metal. The first song is "Antediluvian Prophecies", which starts off with some mid paced guitar patterns that quickly speeds up. The vocals are grim black metal screams while the music is fast paced guitars and driving drum passages that are played with skillful writing. "Frozen Shadows Of The Exalted Sun" starts off with a somber acoustic guitar and winds blowing. The music does speed up to a faster pace with some well played guitars and gruff and grim black metal screams. Musically the song stays in the mid pace range, but it is still a great song. "Chant's d'Hiver Et De Solitude" is up next starting off with eerie chants and clean vocals. The song soon brings in some mid paced heavier guitars that are played with crushing riffs, but it's not long before the fast whirlwind guitar pace picks up. The drums are equally as well played with skillful writing and ability. "Under The Icy Sky, Memories Fade Away" is the final track and is a great song to end this release. The music is a mix of extremely fast paced guitars that are played with skill and power. The vocals are traditional black metal screams, but the music does slow to a more mid paced range showcasing the musicians ability to perform slower passages along with faster paced arrangements. 'Par-Dela Les Cimes' is quality black metal that mixes in extremely fast paced music with some slower melodic passages to create a masterpiece of black metal that should please fans of this band, whether they are long time fans or brand new fans. - Patrick
https://aldaaron.bandcamp.com/
https://www.paragonrecords.org/ |
|
  
This is in some ways difficult to review this
split album, because in so many ways both bands are split from
nearly the exact same piece of cloth. Yet this release is very easy
and enjoyable listening for me as that fabric of influences they
share is made up of some of my most cherished bands and overall
style. That style is a down in the grime of the musical sewer soup.
Which is a mixing of, in my opinion, legend bands of the old school
like Autopsy, Asphyx, Disembowelment, Rippikoulu, early Incantation,
Bolt Thrower, Demilich. I would even include some newer bands in the
same modus operandi of newer vintage which I hold in high regard
like Funebrarum, Hooded Menace, Coffins, Undergang and the like. I
might say one of the slight differences between these two bands
Undergang is slightly more chugging riff sequences and mixes in a
lot more middle speed sections into their sound. While Anatomia
lives a little more on slower, doomier end of thing with their death
metal blueprint. Both bands produce extremely heavy, oppressively
dirty and guttural death metal audio filth. The kind of filth I
revel in mentally rolling around in like a pig in mud on a hot
stinking sun drenched day Haha! Both bands have those nasty puss
filled nausea and inducing gurgle vocals mixed with sinister slow
motion growl croaking dm vocals that are superb and create a real
ominous aura to their bands sound. I confess I may be a little less
discerning with this style because I just can never seem to get
enough of it to seemingly ever quench my thirst. If you worship this
style like I do then you definitely need a copy of this split in
your collection as both bands are killer and two of the prominent
leaders of it in recent years. - Dale
www.darkdescentrecords.com/
mesacounojo.bandcamp.com/
www.facebook.com/anatomia
www.facebook.com/undergangktdm |
|
 
Well I do not know what that intro track is
about, it is feels a little strange and out of place (this clean
sung, sort of emotional thing) within the context of the rest of the
album – at least it is short. I say this considering the rest of the
album is death metal of the extremely brutal and crushing variety.
This is this South Dakota bands third album, I did hear their debut
album, about five years ago, and I liked it. This record I would
definitely posit shows some good progression for the band. I would
say they show a sharper edge now, a tighter overall presentation
with a noticeable up tick in songwriting abilities, also a slight
injection of melody in their battering attack now. The band mix
glorious classic Swedish death metal style with traditional American
death metal of yesteryear, but presented with a more modern
sensibility, in some regards. Despite my opinion of this being death
metal, through and through, there is definitely whispers of black
metal attitude and atmosphere, which occasionally nibble at the
edges. Angerot’s brand of death metal is not just classic; there is
also an air of straight up traditional metal that adds a certain
polish to their sound, elevating it slightly. I was very surprised
by the impressive, and even diverse collection of guest appearances
on this album, which range from guitar god Andy LaRocque of King
Diamond (!!), to Sammy Duet of Goatwhore, and Steve Tucker from
Morbid Angel and more. There is some fine nuanced guitar work on
here, and some short refined solos mixed within the mauling musical
maelstrom. The arsenal of vocals from guitarist/vocalist Chad Petit
is impressive, the man puts on a truly imposing and commanding vocal
performance on this recording. I do not think great, charismatic and
strong vocal performances, such as on display on this album, get as
much attention and respect within the UG scene as they should. My
one very minor complaint is the clean vocals of guest musician
Sebastian Brecht, on the opening and closing track, both short, and
while not a traditional intro/outro, basically do serve that purpose
on this album. For me, those two tracks are the only misstep on
‘’The Profound Recreant, I think this album would only be stronger
if those axed from this otherwise fantastic album. But, never mind
that you really should check out this album, it is a real killer
piece of death metal art. - Dale
https://angerot.bandcamp.com/
https://shop.redefiningdarkness.com/ |
|
This Floridian band came out of left field for me and they punched me in the face with a spike leather fist. I tasted my own blood, spit out a tooth and hit play again and got ready for a wild ride. The band is a trio with the lone dude Mykl chained like a slave in the back on the drum kit, out front you have the two Tazmanian devil ladies Tzu Wei on bass and the Sarah on guitar/vocals bringing the violence up front. Their music is a mixture of classic old school heavy metal, speed metal and thrash with undercurrents of fast raunchy punk that surface from time to time. Musically, they keep things heavy, fast and catchy, while keeping things driving and exciting. Sarah has a ton of charisma, attitude and a great snotty, pissed off edge to her vocals that I love. The vocals are sung and shouted, clear and sometimes almost spoken word or conversational. They remind me at times a bit of The Cretin from Dayglo Abortions (great old Canadian band) mixed with some Cronos, Tom Warrior and Lips from Anvil or some similar variation of those vocal styles. Yeah, her vocals rule! They have some great song titles with raunchy, mean and wonderfully abrasive ‘n grimy metal lyrics. Let me give you a little sample from the song “Smoke Grass, Eat Ass”. ‘You got a real nice body, I like what I see, so why don’t you spread them open wide for me, I get a little closer and stick out my tongue, it’ll feel really good when were done, light up, bend down, looks good - smoke grass, eat ass!’ lol! Fuck I love this fucking band Hahaha! Some of the other songs have more classic metal titles like “In The Still Of The Night”, “Into The Fire”, “Antichrist” and “Speed Demon’s Spell”. Some of their influences they wear on their sleeves in a big way, like the track “Obsessed By Evil” sounds an awful lot a slightly sped up version of “Poison” from Venom. But I don’t care because their reworking of it with different lyrics still sounds awesome and you know I am a massive Venom fan (and have been since I bought “Black Metal” on cassette in the mid ‘80s). There are other things that sound very familiar, but Antoagonizor do such a good job incorporating them into their style, attitude and lyrics that I just can not help but love. I think fans of classic metal like Venom, Exciter, Tank, Bulldozer, Dark Angel, Saxon, Motorhead, and Celtic Frost mixed with some flashes of rapid fire punk like GBH, Cryptic Slaughter or The Exploited should have a blast listening to this one. - Dale
https://www.facebook.com/Antagonizor
https://morbidandmiserable.bandcamp.com |
|
Arche is a
relatively new band, as far as output is concerned with this being
debut mini-album being only their second release. The first output
for this Finnish band was an EP released way back in 2015 and 2016,
depending upon which physical release (cassette and then CD) we are
talking about. The band plays funeral doom metal that is extremely
sparse and slowing moving, which of course to those in the know on
this style is the hallmarks of this sub-genre. Their music is a true
mental journey as it paints an audio landscape of oppressive
emotional despair and despondency, for you to wallow in and slowly,
patiently be swallowed by if you can manage to endure it. Generally
speaking, I am reticent and apprehensive when I hear any band in
metal, and further so in the more extreme styles, which uses an
acoustic guitar. Hearing this fact left me a little uneasy waiting
for it to show itself, and it certainly does, for example heavily so
in the track “Transition”. I was relieved however that Arche manages
incorporate this instrument quite seamlessly into their music quite
successfully by my measure. It is surprisingly effective, not to
mention reinforces their overall sound nicely. I can not help but
think of bands like Thergothon, Mournful Congregation, Shape Of
Despair and Skepticism (to show how old of a goat I am, I reviewed
that bands “Lead And Aether” album & “Aes” EP in Canadian Assault in
the late ‘90s!) for sure comes through strong. Now that I think
about it Finland really is the home of funeral doom in many ways. I
am a fan of funeral doom, yet I do not listen to it often, and I
seem to need to be in the right headspace for it. I need to be in
this very calm, introspective and solemn mind frame, and when I am
in that mode it becomes very effective and affecting for me. The
bands I like in this style is a short list, but after listening to
this mini-album, you can safely add Arche to that select few I hold
in regard. So if you are like me, I think you will like this album
and if you are a diehard funeral doom devotee then you really need
to add this one to your collection. - Dale
https://archefin.bandcamp.com
www.facebook.com/transcendingobscurity
https://tometal.com |
|
I was mildly surprised after listening through this once, to then find out this is a solo band from all places of St. Louis, Missouri. I mean firstly, it feels musically and in execution very European. Though I should not be surprised any more, US bands have come a long way with bringing the Euro feel and style to these shores, and not have it sound clunky and a bit weird like it did in the past. The one man in question behind this band goes by the moniker Monstro and does not seem share much of his identity or history. As near as I can tell outside of six or so songs, all released digitally, this debut album is the bands first foray into a label and physical format release. Having so little prior output (and no other band experience I am aware of) in Ascalapha’s two year existence, you might imagine it is a little unpolished and rough around the edges. Yet in my opinion the material on here is smooth, seamless and more mature sounding then it probably has any right to be. The style on here is black metal, very atmospheric music with great flow and an introspectively sombre aura threading throughout. The lyrical side of Ascalapha seems to reside in the world of vampirism, and before you roll your eyes like I am wont to do. This seems more rooted in the sinister, dangerous and truly horrific vampirysm of the older black/death metal ways, and not the trendy goth fashion movement in the scene that makes this topic total cringe. No, this is dark and baleful. The music reflects feeling like a musical fog slithering around the crypts searching for victims. Having highlighted above the dark streaming melody, do not let that me mislead you, the heart wrapped within is a deathly stygian and pensive atmosphere that is pumping the black blood of freezing hateful second wave black metal. It is that duality that attracts me to this album. I can’t help at times think of the old French black metal scene while listening to this, and a band I have been listening to since the end of the ‘90s named Celestia whispers in my ears. The rasping evil vocals on here are so classic and perfect, it is infectious for me to listen to them. As you can tell I like this album and band quite a lot and I think you need to check this out as soon as possible. - Dale
https://ascalaphabm.bandcamp.com/
https://atmf.net/ |
|
Ascendency is a three man band coming out of Denmark's black and death metal scene. ‘A Manifest Of Imperious Destiny’ is the latest release featuring four songs of well performed and played blackened death.”The Triumph Of Draconian Might” starts off the proceedings. Each musician can play their respective instrument with ability and the band shows some skillful writing abilities.This song is done with mainly fast paced guitar passages that add some very well done solo's and passages in the song. The drums are done with a fast paced drum style that is very well delivered. The next song up is “Victory - In All It's Ephemeral Glory”, which is a fast paced song. The guitarist does some impressive strong work here. The vocals are black metal screams and some gruff imposing growls. “Domitor Invictus” is a fast paced raging song with extremely fast guitar passages that are done with near perfection in their presentation and delivery. The drumming is top notch here with some fast and intense patterns. ‘A Manifest Of Imperious Destiny’ is the final song and is another fast rager with some great guitar passages driving things to towards the finish. The guitarist does write some memorable patterns even adding some slower parts throughout the track before speeding back up. Ascendency has crafted a great release of quality black and death metal that has applied the strength in equal parts of both scenes. The band does a great job in writing some memorable music on this record. - Patrick
https://ascendency.bandcamp.com
www.mesacounojo.com
www.darkdescentrecords.com |
|
 
I really like to
see label collaborations on releases, Me Saco Un Ojo may just be the
king of such arrangements. This time around Pulverised is releasing
this album on CD, and Me Saco the vinyl version. Despite Astriferous
being a relatively young band, and this being debut album, I have
been following the band since the start when they released “The
Lower Levels of Sentience” EP a couple years ago. The band brings a
brutalizing, deadly blend of old school influences that include the
classic albums and sounds coming out of Sweden, Finland, the UK, and
America in the ‘90s, in particular. Some of my old hallowed faves
such as Autopsy, Repulsion, Baphomet, Morpheus Descends, Abhorrence,
Convulse, Dismember, Grave, Bolt Thrower, and Benediction are all
running through my mind. It is all mixed together with own touches
to create this Costa Rican bands pulverizing, dark and chunky heavy
death metal sound. The majority of the time they keep the pacing in
the powerful steam rolling middle range, but slow it down at times
to create brooding, gloomy sections that blanket you oppressively as
a listener. It is in that way, which this young band shows, without
needing to go a million miles an hour or be ultra technical, that
they have a good ‘feel’ in their song construction to create a
strong, crushing emotional impact. The vocals are a battery of
slightly differing, yet always effective dark, whisper-y, echo-y
growls that dove tail with the sinister sounds of the music
wonderfully. This is a strong debut, which I would recommend to old
goat diehards, like myself, who worship the early works of the bands
I mentioned above. - Dale
https://astriferous.bandcamp.com
https://www.mesacounojo.com
https://www.pulverised.net |
|
 
After a six year
absence the mighty UG legends Autopsy return with a new album!! If
you have known me for a long time, you know I am huge diehard for
this band. You probably also know I consider their 1991 album
“Mental Funeral” (which I actually did buy on cassette shortly after
it’s release) one of the very best metal albums ever released, in
any metal sub-genre. Now, I like and often love all of Autopsy’s
releases despite their sound from that classic album morphing into
something a little different, though still always an extreme audio
fist in your face at all times. So does ‘Morbidity Triumphant’ sound
more like that early glorious “Mental Funeral” sound than some later
releases? I would say yes, it certainly sounds more along those
lines, but this new material still draws as you might expect from
all periods of their existence. We are getting spoiled here, in the
regard as drummer/vocalist demon god Chris Reifert has released a
debut album with his new band Static Abyss just earlier this year.
That album from Static Abyss features Reifert and Greg Wilkinson, it
is probably even more in the early Autopsy vein and is a must have
for all diehard fans of Autopsy in my view. Just imagine getting two
albums in one year with the old sounds and featuring the distinctive
drums and vocals of Reifert! This where I also tell you this album
features all of the classic line up of Autopsy (Cutler, Coralles &
Reifert) plus the addition of the aforementioned Greg Wilkinson, who
is the owner and engineer of Earhammer Studios as well as a musician
in bands like Brainoil, Leather Glove and Deathgrave. That doom
death style is strong here yet the pace is often more in the middle
range with speeds hastening things, only briefly, before eventually
skillfully sliding back into that warm decomposing dead skin that is
like a cerebral weighted blanket on my mind. The classic patented
guitar crushing putrescent covers everything with a glorious murky
metallic aura, which I can not seem to get enough of. Something else
that is infectious is the amazing feel and timing of Reifert’s every
drum beat, sounding off like the deliberate foot falls of a wolfpack
horde on the hunt. It would not be Autopsy without the magnetic
tortured and tormented vocals of Reifert, whose vocals are death
growls and emotive howls at their pinnacle and is venerated for its
influence throughout the scene. Those vocals are simply amazing in
my view. As I probably mentioned in the Static Abyss review, this is
a perfect time for Autopsy to bust back out on the scene, as their
musical and stylistic influence on the underground metal scene has
never been more keenly felt than it has been in the last few years.
It is almost like a new sub-genre of death metal, or at the very
least a new movement that has developed with Autopsy prominently at
it’s nucleus. That however was the past and this the present. I am
extremely happy to report that in my view this is the probably the
bands best album post ‘90s, that is not praise I heap on lightly
with the respect I have for this band. - Dale
https://www.instagram.com/autopsyofficial/
http://www.peaceville.com/ |
|
I feel like I have my ear to the underground scene, but I must admit that up until now I had not heard of Avmakt. Well in my defense, they had only put out a demo prior to this debut full-length recording. This Norwegian two man band, who does have some experience in other bands like Black Magic, Dødskvad, Obliteration, Saprophage, Flight and Gouge. The only one of those which I know is the very good death metal band Obliteration. Avmakt however do not play death metal, not at all, they produce classic second wave, not just Scadinavian black metal, but unabashedly that of the Norwegian tradition. They capture that early to mid ‘90s Norge black metal style to a fucking T, so to speak. Avmakt capture that freezing, hateful, and deadly yet still flowing sinister aura. That sound utterly possessed me and made me a devout follower of the style, from the moment in 1992 when I got my hands on “A Blaze In The Northern Sky” and “Diabolical Fullmoon Mysticism”. I was far from the only one back then, but I had to get my hands on nearly every Scadinavian black metal band releases for the next few years. Avmakt I think have captured this sound and style about as good as any contemporary band in the scene in recent times. This is not just a carbon copy however. No, these guys have put a lot of thought into the songwriting and construction that brings their own flavour and character into the mix. Both these demons contribute to the vocals with that classic, glorious black rasps that add that deadly acid dipped dagger to Norwegian black metal traditions. If you worship second wave Norge bm like I do in the traditions of Immortal, but chiefly and foremost of all is Darkthrone, their early period musical fingerprints are all over this killer album. What would Fenriz himself think of this? I am glad you asked, because here is a direct quote from the man himself commenting on Avmakt “UNDERGROUND METAL THE WAY IT SHOULD SOUND RETURNS TO KOLBOTN!”. - Dale
https://www.facebook.com/Avmakt/
https://peaceville.com/ |
|
I have been a fan of this Finnish black metal band Barathrum for a ridiculously long time now. If my memory does not fail me, I tape traded for a couple of their demo tapes in the early to mid ‘90s. I followed that up by ordering their debut album “Hailstorm” way back in 1995 from their record label Nazgul’s Eye Productions (which later changed names to Barbarian Wraith). I followed the band relatively closely until the start of the 2000’s, and then I must confess somewhat lost track of them after this time. Though looking at their history it would appear that is about the time the band starting going through long periods of inactivity between releases. I am guessing the constant line up changes played a big part in that. But to the bands credit, or probably more to vocalist Demonos Sova (the only founding member and only member left from the ‘90s versions of the band), who has managed to keep this band going for 35 years!! ‘Überkill’ is the bands tenth full-length album and seven years since their last. They may sound a little different than the early days, sharper and more honed in now, but in the overall picture not terribly different than say their 1997 album “Infernal”. Which you could probably argue that is when they had really found their sound and style. That style is, was and presumably always will be evil and sinister black metal that pulls a lot of it’s influences from both the first and second wave black metal movements. Their brand of freezing black metal tends to reside a little more in the middle pacing with flourishes of hate filled aggressive speed. As mentioned you can hear that old school heavy metal influence in riffing and heavy dark refined guitar work. Those great omnipresent trademark rasping vocals of Demonos Sova sound as viciously demonic and cruel as they ever have through the years. Also, it appears Sova’s hallmark lyrics are also as deep rooted in delicious blasphemy, death and occult sorcery as ever. If you have never heard Barathrum, now would be a good time, if you an old diehard goat fan of the band like me, you will not be disappointed in what you hear. - Dale
https://www.facebook.com/BarathrumOfficial/
https://kvlt.fi/ |
|
 
I am probably not going to have enough room,
but I plan to include as many of the awesome old horror flick
take-off posters, which they mocked up for this album. I hope you
enjoy as much I did manage to fit Haha! This band features on guitar
and vocals Borys Crossburn of the great crossover band Children Of
Technology. I have reviewed a few of C.O.T. releases on this site if
you wish to look for them. Despite what those hilariously great
posters would lead you to believe, and despite this band being a
little loose, a little raw and musically raunchy they are not as
awful as they would like you to believe. They mainly draw on a lot
of old school classic metal influences from the early days of heavy
metal, thrash, crossover and speed metal, along with subtle (if
anything with this band could be called subtle) first and second
wave elements of black metal wafts of mist that blow through their
sound at times. I have even seen some compare them to Running Wild,
not sure how they came up with that shit though lol. The bio calls
it blackened traditional metal, not sure that covers it all, but not
a terrible description. Yet if you mix the blackened traditional
metal with the band calling themselves Absolute Metal, Obtuse Metal
and my favourite Regressive Metal - throw that all in the melting
pot and that is a pretty good description! Despite all the old metal
worship these guys do have a penchant for writing heavy, catchy and
memorable songs that rip ‘n tear at your audio wounds like a school
of blood thirsty piranha. The vocals of Crossburn are great
whispery, hoarse and gruff sung shouting that follow along with the
music and drip ancient metal acid that comes out of your speakers
and headphones to burrow into your brain with wicked accuracy. The
album closer “Regressive Metal” is soo fucking Hellhammer / Celtic
Frost flattery that Tom G. Warrior and company must be blushing like
their asses are on fire! If you love retro bands that sound like a
killer headbanging flurry of 52 pick up of classic metal influences,
and plenty of attitude to back it up, well then son have I got a
band for you! - Dale
https://www.facebook.com/barbarianmetal
https://hellsheadbangers.bandcamp.com/ |
|
Barshasketh started out as a mostly one man band from New Zealand, and stayed that way for half a decade or so. There were a couple of demos released and a debut album between 2009 and 2010. Then that one man, named Krigeist moved to Scotland, where he pieced together a full band, and since has released a few split EPs and three full-length records. The line up seems to have stayed stable for some time now, and the members are quite busy being in other bands as well like Bron, Belliciste, Nadsvest, Ad Extripanda, Falloch, Emperage, Seal Of Beleth and more. Which brings us to "Antinomian Asceticism”, the bands fifth album, and second released by the World Terror Committee label out of Germany. This recording is filled with boiling, twisting and churning black metal that is a freezing cold and vicious attack. The other side of the coin from the band is flowing sections that sweep across the audio field like a creeping fog. Between the majesty and cruelty, there is melodicism that seeps through, infecting both sides of this black metal duality and sews them together, a snaking through line musical anchor. The songwriting on here is smooth and thoroughly mapped out, showing their attention to detail and skill in this area. I like that the majestic and melodic elements never run away with things, the harsh second wave icy hate, and extremity, always have a tight grip on things, whether it be in the forefront on simmering on the back burner. The classic yet highly energetic (at times with varied accents) rasping vocals are a highlight on this album all by itself, Mika has put on quite a performance here. If you love black metal coldheartedness, and evil savagery that is mixed with a flair of atmosphere and melody then you should give this a close listen. - Dale
https://www.facebook.com/Barshasketh/
http://www.w-t-c.org/ |
|
 
I went on quite extensively on my long 30 year (!!) history as a listener to Baxaxaxa, and by clear extension, also the band Ungod. A band which counts three of their members as being in both bands. Baxaxaxa and Ungod both date back to the very start of the 1990s, so do keep this in mind if I mention bands they share similarities with, they have been around as long as those bands and in some cases longer! I would say you could even count them within the secondary movement of bands that came along in the first wave of eighties black metal. I speak of bands which started at the end of the ‘80s or the very start of the 1990s, and are quite separated in my mind from the second wave of Scandinavian black metal (with a scant couple of exceptions ala early Bathory) stylistically. I hear in Baxaxaxa’s sound influences from the aforementioned Bathory, Hellhammer, early Samael, early Sodom and a dash of the origins of it all - the mighty Venom. The secondary wave I spoke of that came along after those bands, you could count Samael in there, but also some others coming to mind are Mortuary Drape, Fulgor, Xantotol and the early works of Root, Master’s Hammer, Rotting Christ, Mystifier and so on. There was a long period of time, and inactivity, when these guys concentrated on more on Ungod before thankfully reviving Baxaxaxa once again. I was very pleased when they returned, about five years ago, by releasing a demo and an EP. I reviewed their long awaited first album a couple years ago, which I loved, but I must confess that this new album takes everything they are so good and deadly at, and turns it all up to another level. The old school black acid on this album is supreme, every song is a mini work of musical art, as each hymn is burning an imprint on my brain. Where as I worship second wave black metal, it is a more an encompassing experience, where the whole is a freezing singular dagger to my black heart. But with ‘De Vermis Mysteriis’, as is the case with first wave black metal in general, each song while clearly connected to the whole is an individual experience of evil darkness and sinister horror. Another thing I enjoy about this release is the vocals of Traumatic (aka Patrick Kremer owner of Iron Bonehead Prod.), who truly understands this style of music, he feels it coursing through his veins, and conjures those dark impulses perfectly in his vocals.Patrick really have his own style and his vocals has a unique feel. This album for me really does re-capture those old times of the late eighties and early nineties, it is like the members of this band were frozen and removed from the UG metal scene, then awoken and asked to create a new album in this day and age. The middle tempo riffing feels like an eerie ritual music, literally the music is dripping with haunting atmosphere and crafted within songs that stay in your mind long after you finish listening. Which, I think in black metal is truly a sign of ultimate quality, at least in my book it is. I honestly can not recommend this album enough, it feels like a record that will be considered a classic in the future. If you love the old ways of those bands then you simply need this in your collection. - Dale
https://www.facebook.com/baxaxaxa
https://sinisterflame.bandcamp.com/ |
|
I always say I am fan of crossover thrash yet I am not huge fan, nor do I listen to a lot of it. But the more I think about it that it is only a half truth. I say that as I have been listening to this stuff since it first started really. I bought the early albums of D.R.I., Agnostic Front, Suicidal Tendencies, Prong, Cryptic Slaughter, Wehrmacht, The Accüsed, Nuclear Assault, The Exploited and others. Which is a lot when I think about it for not the most prolific of musical movements. I kind drifted away from that scene (and/or the amount of bands playing this style just fell off?) and only listened to those old albums periodically save for a few. This was partly due to me delving deeper and deeper into the UG scene of thrash/grindcore/death/black metal in a serious way. During recent years I find myself seeking out more crossover bands like Toxic Holocaust, Municipal Waste, Power Trip, Adrenicide, F.K.U., Children Of Technology, The Donner Party and so on. So I guess you could say the Crossover bug has infected me once again and I can not get enough now. Enter Belushi Speed Ball who encompass so much of what I love about this style and have heavy influences from those old classic bands I cut my teeth on. That is not to say these boys are Johnny come lately’s though, as they have been slugging it out releasing a whole slew of EPs and a now three albums since 2014. These guys rip it up with a killer mix stylistically of hardcore structured songs that are presented in a lightning fast and heavy thrash metal riffing fashion. This is the kind of music that will ramp up your adrenaline and create a wild raging mosh pit live, or even in your living room, your mileage may vary. They do it all with a lot of aggression and attitude, which I like. The vocals are pretty fantastic and to me are a half sung/half amalgamation of the vocals of D.R.I., Cryptic Slaughter, S.O.D/M.O.D., Cro-Mags, Uncle Slam etc… Yeah man vocalist Vince Castellano just kills it on the mic, hell just for fun every now and then he throws in a bit of death metal growl and Steve Souza era Exodus screeches that had me roaring. Okay, I am not going to deny some of the lyrics are a bit clunky and silly, but even those lyrics are fun, and are meant to be seriously unserious ha ha. They deliver them with such energy and conviction that it is hard not to just get swept up in the whole thing. If you love classic crossover thrash metal goodness, then you should look into this band posthaste. - Dale
https://belushispeedball.bandcamp.com/
https://www.facebook.com/belushispeedballband/ |
|
I must admit I did a bit of a double take, when I seen the name of the drummer of this German band. His name is Patrick Schroeder, which also happens to be the exact same first/last name of my decades long partner in crime with Canadian Assault. So, unless our Patrick is traveling back and forth between Missouri and Germany, then I am pretty sure they are not one in the same haha! Okay, sorry for the side bar, it is a happy coincidence though. Beyondition is a triumvirate of musicians that play an ancient form of black death metal on this, their debut album. When I say ancient, I mean the music on here reminds me of a mixing of late ‘80s / early ‘90s embryonic death metal bands, which are intermingled with some first wave black metal bands. I am sure after reading that you might want a few general examples of such. So, from the death metal category I will go with the earlier works of Pestilence, Bolt Thrower, Benediction, Asphyx, and Cianide. The black metal side I would go again with (in most cases) the earlier works of the mighty Mortuary Drape, Denial Of God, Master’s Hammer, Rotting Christ, Root and Varathron. I mean even the production on here sounds like it could have been recorded in that 1988 to 1994 time period. Which, for me, being the old goat I am, that is not a bad thing at all! The music on here sounds very clear yet has that raw and unrefined feel that gives it of an organic feel to me, when comparing modern recordings. The songs, much like a lot of that music back then have a more straight forward, stripped down quality. Which, in some respects strips away the modern style side noise, and makes you focus more on writing good, memorable songs. The memorable, infectious songwriting is something Beyondition have managed to do on “Abysmal Night”, to some real success. This music is heavy, it is evil, it has an aura to it and the songs will stand out and stick in your head. They often have choruses, and hooks, but also they bring the heaviness, as well as that glorious darkness and evil feel. The classic sounds became classic for a reason, because it is a great style, and when presented by the hands of dedicated diehards, like these three men in Beyondition it can spark that ancient flame so it burns bright. - Dale
https://www.facebook.com/beyondition
https://www.chaos-records.com/ |
|
After a string of EPs over the last five years, BlackFlow brings us their debut album via the very plugged in, Mexico based Personal Records. This Santiago, Chile band play traditional heavy metal doom that features very stylish, classy songwriting. Their brand of doom draws out heavy emotion, and shapes atmospheres with juxtaposed feelings of both triumph, and dark somber reflection. Having said that, I do not want to under sell the fact that BlackFlow do bring the heavy, doomy riffs and sequences you can occasionally even headbang to, even if only briefly. The playing on here is very good, it showcases a band with a penchant for melody with flowing, fluid song construction that glides through some epic stygian drenched soundscapes that always build towards satisfying crescendos. The vocals of Victor Prades are very dramatic classic doom style, bringing to mind influential threads of Messiah Marcolin and Rob Lowe. Those vocals really fit this bands style like a glove, and are extremely good at conveying that emotion and gloom. Some might find their songs a little more accessible, as you are not getting excessively long run times in the double digits (as is not uncommon with this sub-genre). No, not on here, as all the songs range form four to eight minutes. BlackFlow’s style at times may be a little more melodramatic, and/or not as crushing as some like their doom, and I would understand that view. But, if your tastes with heavy metal and doom range a little outside those boundaries, then I think you will find a lot to like here. - Dale
https://www.facebook.com/BlackFlowMetal
https://www.personal-records.com/ |
|
 
This is the
debut album from this triumvirate of musical demons, which features
in it’s ranks members of Demiser, Blood Ouroboros, Primitive Warfare
and Impest. The band churns out harsh, grating black metal full of
energy and seething with hatefulness. The music is ever driving
forward with a blitzing speed yet does have a slight edge of
rhythmic ritual atmosphere and a feeling of freezing darkness. The
vocals are great throat shredding, coarsely yelled rasping that
still manages to be commanding in their own livid emotive way. I can
not help agreeing with the bands influences sited in the bio, which
are Profanatica, Demoncy, VON, and Masochist. I am a long time fan
of all of those bands, possibly with Masochist and Profanatica
especially strongly for me. I can hear both those bands clearly
here, and I must admit to feeling some familiar nostalgia pangs when
listening to this album. This brings me back to 1992, when I
purchased the cassette version of “Weeping In Heaven” (that included
two killing live tracks not on the seven inch release), this is when
I became obsessed with Profanatica and listened to that cassette
endlessly. A side note, if I may, I later unknowingly at first
became good friends with the guy who filmed the infamous pissing and
ejaculating on the bible Profanatica videos! Haha. While clearly
borrowing heavily from those bands above, it matters not to me, as I
thoroughly enjoyed ‘Inn Of The Vaticide’ and can not get enough of
this distinct black metal style, when it is done this well with
clearly this level of conviction. So, if you worship blasphemy,
spit, piss and cum on christ (in audio form), and love the bands
above. Then I have a new soundtrack of profanity and humiliation of
christianity for you revel in! - Dale
https://stygianblackhand.bandcamp.com/
https://www.stygianblackhand.com/ |
|
 
This is my first encounter with this band,
which does surprise me a little especially with them being from
California and being around for nearly a decade now. I mean I do
tend to get around so to speak in the UG scene yet we were still
like gloomy ships passing unnoticed in the foggy night. ‘Procreate
Inverse’ is the bands second album clocking in at a robust 54
minutes, some fucking bands these days try to pass off some really
thin and paltry run times as albums, this is like three or four
‘albums’ for them. Black Fucking Cancer play extremely hateful black
metal and to my ear does not really belong to one time period
necessarily. I mean the base of their sound is second wave
Scandinavian black metal, but I hear influences from the first wave
of bm with elusive whispery hints of things like speed metal and war
metal at times making their presence briefly known. The majority of
the time things go at a breakneck blitzkrieg pace of audio darkness
and evil with a go for the throat cruelty. It may be difficult at
times to hear through the unrelenting barbarity and violence, but
there is a real level of musicality going on here with some strong
guitar work. The drumming on here is a powerfully inhuman whirlwind
of drum kit torture and destruction, which is technically precise
and clear. You would think the vocals in the sound I have described
would have a difficult time keeping up or standing out yet that is
not the case at all. The vocal performance is supreme and commanding
with an imposing mix again of all ages of the black metal past, from
early days of the first wave through the rasping acid of the second
and beyond up until today. I think some influences that stand out
for me would be Bathory, early Darkthrone, Marduk ala “Panzer
Division Marduk”, Craft, Gorgoroth, Funeral Mist, Watain, Antaeus,
Katharsis. That should give you more of a clearer impression of
their sound. It is well worth your attention as Black Fucking Cancer
carry on the tradition of those black metal hordes in an impressive
way while still carving out a sound of their own stamp along the
way. - Dale
https://blackfuckingcancer.bandcamp.com/music
http://sentientruin.com/
|
|
 
It seems like
Helter Skelter is really getting into the satanic and occult classic
doom metal style and aesthetic, possibly even partially cornering
the market with Mephistofeles, Demonio and now Italy’s Black Spell.
I am here for it. As is the case with those two aforementioned
bands, Black Spell also mixes in touches of psychadelia and stoner
sound elements into their potent and sinister musical mix. This is a
new-ish band having been around for less than 3 years at this point,
yet this already is this creatively fertile groups third full-length
album. They draw upon all the archetypal influences like of course
Black Sabbath, Saint Vitus, Pentagram, Trouble, Candlemass as well
as more recent notable bands like Electric Wizard, Spirit Caravan,
Kyuss, Orange Goblin and the like. Also, I have to mention not too
surprisingly you have to point to the early works of their great
countryman Paul Chain as a strong influence. Despite the stoner
style having a strong weight on Black Spell’s sound, they are not
all rocking and all grooving though as much of the time they place
importance on the seriousness, and on the heaviness of those older
bands I mentioned above. They also always keep a vague aura of
darkness throughout, which I like. This album is equal parts catchy
and rocking yet there is always this pounding, heavy gritty doom
metal thread running through it all providing a rock salt foundation
for this sound. I also like how these fellows at times keep it
simple, when they find a killer rhythm and groove they milk it and
sit down on it. So much so, that they often spread it out so it
transitions between that infectious pulse in to a introspective,
creeping mental journey before working their way back to rocking you
out of your leather boots and ceremonial ritual robes. I found
myself really enjoying this album and connecting with it’s
atmosphere and approach, if you are into the mix of influences I
mentioned then I think you will dig how this band blend them all
together and put their own stamp on it. - Dale
https://www.facebook.com/black.spell.doom
https://regainrecords.bandcamp.com/ |
|
Black Winged Goat Messiah is a solo project from Nunslayer (he also has other one man projects like Shrine ov Absurd, Skjult, M.O.S.S.), which comes out of Cuba's bestial black metal scene. Starting off with a intro that is mixed with chants and thunder storm effects. It doesn't take long before the music goes for the throat with an intense and fast attacking style. The drums on this album are insanely chaotic in their delivery.There is some slower parts used throughout a few of the tracks, before going back to that grinding lightning fast drumming style.The guitars are a whirlwind of fast-paced and crazed guitar passages. The guitarist does play some heavier mid paced patterns in a few of the tracks that are played very well and interesting. The vocals on this release are grim black metal screams mixed with some gruff growls. I would say brutal, ferocious and bestial are a few words that can describe this bands sound and style. So, if this sounds like your kind of black metal then I highly recommend picking up a copy of “Satanic Morbid Lust” today. - Patrick
https://www.facebook.com/bwgoatmessiah
https://mastersofkaos.bandcamp.com/ |
|
Blasfema Estigia is a two man band coming out of Colombia South America. The band will unleash their debut demo through the mighty Masters Of Kaos. Blasfema plays ancient death metal with some black metal elements mixed into the music. The demo starts off with a short intro and wastes little time going for the kill with uncompromising death metal. The second song is “Lujuria” is a bestial and primitive assault, that wastes very little time getting into the fury and goes straight into pounding drums. The guitars are played with fast and chaotic passages. The vocals are raw death metal growls that are heavy and commanding in their delivery. “Clavicula” is up next and is a primal and brutal attack on the senses. The drums on this track are insanely fast blasting drums that pummel the listener into pulp. The vocals are raw and powerful death metal growls. The fourth and final song is “Nekromantik” starts off with church bells and crackling fire sounds, before the music speeds up to a fast and destructive pace.The guitars are played with fast paced passages and some mid paced heavier guitar parts are used in the song. The drumming is aggressive and unrelenting forceful beats that are played with real intensity. If you are a fan of unpolished raw death metal that does not follow any trends, then be sure to pick up a copy of ‘Blasphemous Sickness Of Lust’ today as you will not be disappointed. - Patrick
https://www.facebook.com/Blasfema.Estigia/
https://mastersofkaos.bandcamp.com/ |
|
This
Philadelphia, PA band has wasted little time following up their
quality debut album “Endless Halls of Golden Totem”, with a new long
player for me to feast my ears upon. Blazon Rite just keep riding
high with their energetic, and triumphant heavy metal that champions
the old days of yore, with their spin on the NWOBHM sound and style.
There is a heavy dose of Iron Maiden influence on here mixed with a
large measure of classic American power metal ala Manilla Road,
Omen, Heavy Load, Riot, Helstar, Liege Lord etc… There is some fun
interplay with the guitars, great galloping riffs, all accented with
some lively guitar fills and solos. The band has a real penchant for
writing songs that are memorable, and stick in your head, along side
some superb lyrics that fit the feel of the music perfectly. I have
always loved the quality of European heavy metal singers, who often
are kind of forced to phrase things differently with their accents
being applied to a second language. So, it is interesting in that
way with the vocals of Johnny Halladay, there is some points he has
a similar style and phrasing, clearly on purpose here, but I dig
this choice. Halladay’s vocals and his voice has this great classy
quality, intoned with a strong triumphant and epic quality that I
enjoy very much. I bet this band is great live, I rarely ever go to
live gigs anymore, but this band is from my state, so you never
know. But, in the meantime, and in between time, if you love
traditional late 70’s through to the later ‘80s power / heavy metal,
and can not get enough of it, then you need to hear Blazon Rite.
- Dale
https://blazonrite.bandcamp.com/
http://www.gatesofhellrecords.com/ |
|
Upon completing
just one listen to this album, the bands third full-length, I find
myself lamenting for the time lost in never having heard this
British band sooner. At this point I am several listens in, and I am
no less impressed, maybe even more so by the absolutely blistering
and intense deathrash metal on this impressive release. These guys
bring a little bit of everything you could possibly ask for in this
style. I mean it, they bring the intensity, the speed, the razor
sharp playing and technical yet still as catchy as the common cold
songwriting. Despite the rapid pacing, they do still manage to dial
that quotient back a cunt hair at times, to add some emotive flow to
their music. There is a ton of heavy, headbang inducing ripping
riffs, and neck wrecking fury at a high level. It is not just wall
to wall riffs though, as there are some brief and tasteful guitar
fills and solos. At all times the crushing heaviness, blitzkrieg
velocity, audio fist to the face forward flow is the king of their
stylistic approach. The vocals of Jamie Stungo are superb, they are
a near perfect marriage of the gruff / screeching / squealing
classic thrash vocals mixed with just enough of a dose of death
metal growl to give his layered, charismatic voice histrionics a
nice brutal edge. If you love the early releases of old school
legend bands of thrash and death metal genres such as Overkill,
Demolition Hammer, Ripping Corpse, Morbid Angel, Kreator, Possessed,
Death, Morbid Saint, Sadus, Dark Angel mixed into one kick ass,
explosive package then you need to get your claws on this album!
- Dale
https://thebleeding.bandcamp.com/
https://shop.redefiningdarkness.com/
|
|
Blessed Curse hails from California, and they have been going for about a decade now. Though, it appears there was a fairly long period of very little activity, after releasing their debut album way back in 2012. This album is out on M-Theory Audio, at least in the USA (overseas it is on Cyclone Empire). Which is the label of Marco Barbieri (Metal Blade, and later Century Media), who I used to be in contact with in the early to mid ‘90s, buying issues of Marco’s fanzine and compilation tapes. These fellows worship old school thrash metal (and who could blame them?!), it bleeds out of every musical pore on this album. It clearly became evident to me just how much dedication and care went into this album, as they live and breathe thrash metal to the maximum. Luckily, for us they also have talent and skill to go along with it, they know how to write memorable songs to go along with those attributes. In addition to songwriting abilities, Blessed Curse also know how to write razor sharp, ripping riffs that will wreck your neck. The music may be brimming with nostalgia for me, but these fellows do put their own stamp on these tried and true sounds, which makes it all the better for me. So, beyond the unforgettable heavy as hell, catchy riffs, there is also some cool tasty guitar fills and solos to spice up the pounding melodic barrage. I can definitely feel the influential ghosts of classic Annihilator, Exodus, Kreator, Vio-lence, Testament, Sodom, Razor and Dark Angel walking through the graveyard outside. The vocals of Tyler Satterlee have that traditional gruff thrash yell, but there is a real gurgling, and pissed off snarl with little hints of a death metal growl occasionally. Those vocals are familiar yet those extra touches kind of set his style apart a little bit. Tyler puts his own touches to the style, and it gives this bands music an added dimension from the usual thrash vocals, good stuff. If you love thrash metal of old, executed at a high level, then I suggest you get your mitts on this album sooner than later.
- Dale
https://www.facebook.com/BlessedCurseOfficial/
https://m-theoryaudio.bandcamp.com/
|
|
The old cult legend band Blood Feast are still going and fighting it out after all these years! A lot of music has played and been released over the many moons since this infamous band released their classic debut album way back in 1987! I should get it out of the way that there is only one member left from those early days of yore, which is guitarist (and starting with this album now vocalist as well) Adam Tranquilli. You see that happen unfortunately way too often when old bands get that long in the tooth. But also on the flip side of that props to Adam for still thrashing it out nearly 40 years later!! Anyway, maybe also unfortunately, or fortunately depending upon my view on that day I was around and in the scene since this bands beginning. As you probably know I was born and grew up in Canada for the first 20+ years of my life, so I did not see them live over the years. Well except for that one time, I used to go to the great New Jersey Metal Fest (put by the same promoter that did Milwaukee Metal Fest). That one in NJ would have one of the three stages at that fest that only old school metal bands ala Anvil, Raven, Nuclear Assault etc… So yes, I think Blood Feast reformed for that in like 1999 if memory serves, and it was great to finally see them live in person. Okay, yeah I like to ramble, I love metal history, but okay onward to the music on this new album. The songs on here may not quite as crushingly heavy or blindingly fast as the first couple albums from back in the day. That does not mean neither of those elements are not still alive and well here though. The Feast may have dialed both those areas back a cunt hair or two, but there is still lots of ripping thrash runs here, just maybe mixed with usually brief emotive and moody sequences in between the aggression and attitude. As mentioned above Adam has taken over the vocals and they do sound similar yet also quite different than in the past. There is some of that mean gruff quality in his vocals, but they are delivered a tick slower and have a slight half spoken, half sung quality to them (ala think of the vocals on the early albums from Meliah Rage, Dark Angel or Metal Church). It is a mix of those two styles and different than in the past, but I also enjoy them. Blood Feast while it has morphed a bit still plays classic ‘80s style thrash metal and this album even sounds like it could have been recorded in that decade. There is one thing they have not forgotten how to do, besides straight up thrash, they also still know how to make good heavy and interesting songs with memorable hooks and choruses. The type that warms the cockles of this old metalheads black hearts. Check it if you love classic thrash metal from the late ‘80s by old goats who were around back then and know what it was all about.
- Dale
https://www.facebook.com/bloodfeastlegions
https://www.hellsheadbangers.com/
|
|
 
Svart Records digs up a classic ‘80s heavy metal band, which is fairly, if not entirely unknown over here on North American shores outside of few hardcore maniacs. As this British band only had their albums (Red, Raw and Bleeding! & Battlescarred both remastered here) released exclusively in England, on two different Brit record labels. Their two albums were released in 1986 and 1987, both of which are present here with a boat load of extras, as the title suggests this is their complete history, which includes their demo material and some live tracks. Listening to this it is a shame this band did make more of a mark, as this is some fucking fine meaty and ripping heavy metal that nestles into so many of the bands from America and Europe, which we hail as must hear classics. I have to say I am surprised, at least in Canada, that Banzai Records never got wind of this band to release it there, like they did with other lesser known Euro bands like Tokyo Blade, Warfare, Axewitch and Overdrive etc… Blood Money wrote good songs, they displayed a high skill level, and the music is fast in your face stuff. Among the many speedy riffs there is a lot of brief high speed solos that are a lot of fun. You can hear the NWOBHM influences, but these fellows definitely sped things up and went heavy compared to some counterparts. I could possibly see that maybe their vocalist could hold them back a bit, he does not have as much siren style range or a lower grit register. Despite that I enjoy his rapid fire vocal delivery, and despite the slight one dimensional middle range, he performs said range fantastically and I like his vocals a bunch. If you have yet to hear of Blood Money, as was the case with me, and I like to think I know my shit with classic heavy metal then you really need to get your claws on this release. I mean you get everything from the band beginning to end, and all in between and it is all good stuff in my opinion. P.S. - Sorry, I realized I forgot to add in the review the demo and live material is apparently only available in the box set version. - Dale
https://www.facebook.com/Blood.Money.NWoBHM
http://www.svartrecords.com |
|
The freezing hateful music on this record gripped me pretty quickly and refused to release that hold, as I listened throughout my first, and subsequent listens. Then I started to look a little further into this band new band, and my interest only deepened from there. Bloodmoon Eclipse is a duo made up of notable underground musicians K.C.H. from Lunar Spells and the prolific Ungod (Sad, Kvele, Necrohell, Slaughtered Priest, Steelwitch and more). Some good bands there in that list. I am a fan of Sad and Lunar Spells in particular, hence the extra layer of interest for me. You have probably surmised from the band name, visuals and record label that this band play black metal. It is a particularly sinister and chilling form of black metal that mixes up the dynamics speed wise. Between straight ahead blitzing and conversely some brief rhythmic neck wrenching heavy chainsaw gutfuck sequences. The music really is a nice mix of those elements above, seamlessly mixed with extended sweeping sequences for a well rounded record that is solidly constructed. These two Greek demons channel early to middle ‘90s classic second wave black metal in deliciously deadly fashion. I worship these times and they remind me of some of the best of that time period with the earlier material of bands like Darkthrone, Gorgoroth, Immortal, Manes and the like. The vocals on here from Ungod are among the best I have heard and rival those from those classic releases of the bands I mentioned above. He really puts on a truly amazing performance with his commanding, attacking acid rasping voice cutting through the musical mire like an electric hate dagger through flesh. If you are like me, one who worships the earlier days of Scandinavian black metal of the second wave and can not get enough. Then this was tailor made for you and your black heart. - Dale
https://www.facebook.com/purity-through-fire
https://shop.purity-through-fire.com/ |
|
I must admit
looking at this Dutch bands discography, that I am surprised I have
not listened to any Bodyfarm releases, before now. I mean their
first release, an EP, came out in 2010 and this release is their
fifth full-length album. I keep my ear to the UG pretty strong yet
this is still my first encounter with them. Be that as it may, the
old saying goes better late than never. There has been quite a lot
of turn over with this band though; it appears there is only one
original member left these days. I have no idea what their past
material is like, but it only took a few songs into ‘Ultimate
Abomination’ to realize that I have been missing out. Something that
comes quickly when listening to this, is the musicians that make up
this band are quite polished and skilled. It shows up in the
playing, as well as the fine songwriting that showcases some really
emotive elements that feature some interesting builds and
crescendos, which keep the music balanced and interesting for the
listener. The music itself is brutal as fuck, crushing riffing yet
also slick with a lot of fine guitar work, showcasing some
interesting fills and cool solos. The emotive part comes in between
the brutish riffing, with some deft song construction that manages
to inject some small hints of catchy rhythms, and melody in between
the vicious clubbing barbarity. The vocals of Ralph de Boer are
severe, commanding growls though still decipherable enough to still
make out the lyrics, pretty much throughout the album. I mean, those
are just great vocals, in my view. I am quite certain this album
will impress and capture fans of classic releases from bands like
Bolt Thrower, Asphyx, Dismember, Grave, Unleashed, Sinister and
Benediction. - Dale
https://bodyfarm.bigcartel.com/
https://edgedcircleproductions.com/ |
|
This split album intrigued me and caught my interest. The first half of the record is filled with Italy’s Bottomless, the band is a triad that features members of Sleeping Dark, Assumption and death metal band Shrieking Demons (whose EP was reviewed elsewhere in these pages). I found it interesting looking at the band history, as I always do, that two of the members David Lucindo and Giorgio Trombino are also both in Assumption, Shrieking Death together. As well as in the past were in the bands Haemophagus and Undead Creep together. So, it is a long history for these two, a long collaboration and some of that history seems to be rooted in death metal in the past and present. But Bottomless are very far from that, as they play classic heavy metal doom. Their brand of which is very good with some killer riffs and they show a penchant for emotive and affecting songwriting. I can definitely hear some pleasing influences from old kings like Solitude Aeturnus, Trouble, Candlemass, Momento Mori and even a newer band or two like Smoulder and Crypt Sermon. I really enjoyed these first four tracks. Now onward to Witching Altar’s half of this tasty morsel of a split record. The band above was a trio, and the Brazilian Witching Altar is even more bare bones by being a duo of Peter Vitus on guitars and Thiago Witchlover on vocals / bass. What’s more, after a little digging I see these two are cousins. Like their fellow band on this split they play classic doom metal, but where as Bottomless’ influences tend to be more rooted in the later ‘80s and ‘90s doom. Witching tend to dwell more in the ‘70s and ‘80s doom stalwart bands and style. I would say think of bands like ‘70s Black Sabbath, early Pentagram, Saint Vitus, Witchfinder General, and Pagan Altar. W.A. also write very emotive and poignant doom, but I would say they craftily inject a little more of a depressive atmosphere and overall darkness into their form of doomy goodness. You can also find a little more slow headbang inducing elements in in their songwriting. Which I am fucking here for! This is my first time listening to both of these bands, but now I want more and need to wade backwards into their past releases, while keeping one eye on their future output. Traditional heavy metal doom maniacs need to have this one. - Dale
https://www.facebook.com/thewitchingaltar
https://dyingvictims.com/ |
|
 
This veteran
band from Greece has been putting out demos starting in 2001, and
working through a series of subsequent demos, EPs, splits, and now
“Ruins” marks the bands fifth album. Despite Burial Hordes being
around for such a long time, I mean I know them by name, but I am
not that familiar with their releases (though I may have reviewed
one of their demos a couple decades ago, fuzzy memory Hehe). The
band features a seasoned line up consisting of on guitars with
founding member Dionysis Dimitrakos (also the main man of Enshadowed),
on guitars K.T. (Dead Congregation, Cursed Blood), on drums F.V. (Necrovorous,
Paroxysm, Sacral Rage). I keep seeing them listed as a black metal
band, but if you ask me they are definitely a death metal band,
maybe with some small bm touches here and there. The music on here
highlights this bands experience, both with their individual
instruments, as well as their smooth and refined songwriting. The
result is some brutal, driving death metal, wrapped in a sinister
dark atmosphere, which permeates everything in a satisfying way. I
really like T.D.’s growling vocals, they remind me kind of a mix of
L-G Petrov of Entombed and Dave Ingram of Benediction. So obviously
two of the greats in death metal, what is not to like? Nothing, that
is what. Though at the same time, for my liking those vocals blend
into the background of the mix, a little too much. A small
criticism, yes, it is just I want to clearly, and powerfully hear
those killer vox. The quality of this album should not be
understated, nor should it be a surprise with the bands lengthy
history, and pedigree, for me it is better late than never to really
get into this worthy band. - Dale
https://burialhordesdm.bandcamp.com/
https://transcendingobscurity.aisamerch.com/ |
|
I became a fan of this Belgian band a few years ago. When I reviewed their album “666 Goats Carry My Chariot” and thoroughly enjoyed it. Bütcher are old school to the bone! They play superb ‘80s American speed metal that is heavy and just exploding with energy. They augment that speed metal sound with early eighties classic twin guitar Brit style heavy metal (unmistakable Maiden and Priest influences), as well as accents of thrash and small dashes of first wave black metal. It is all done with supreme skill and always possesses a silky flow. The melodies are highly infectious as they interwoven with some pulsating heavy riffing that is wrapped in a dark encompassing atmosphere. These metal maniacs from Belgian know how to really write interesting, memorable songs that go for the kill on the listener and leave a mark on your brain. Vocalist Ruben Hellshrieker puts out a whirlwind performance that highlights his different influences from the same sources as mentioned above. He goes from clean heavy metal singing, to gruff yelled thrash vox, first wave black metal style singing like a mix of the vocals on early Venom, Bathory, Master’s Hammer with a skosh of non-operatic Mercyful Fate. You even have a track like “A Gypsy's Tale (Of Sex and Seance)”, where Hellshrieker goes nearly full death metal growl with a whispering and shadow-y undertone, spiked with sudden mainstay shrieking. Both vocally and musically this album is a fun yet deadly unforgettable ride of musical lightning. No, it is not overly original, but it is a diverse mixing of those styles and when it is done this well, this skillfully and full of this much attitude. Well then, who cares? I know I don’t, no need to over think it, just enjoy a killer listen and headbang! - Dale
https://osmoseproductions.bandcamp.com/
https://www.facebook.com/Butcherspeedmetal/ |
|
The productive and skillful Matthew Schott (Garden of Hesperides, Sxuperion, Oreamnos, Valdur, ex-Weverin) returns once again with his solo band third full-length record. I reviewed both this bands first two albums elsewhere, if you care to look around, the California denizen has also released a couple EPs for this entity, which I have not yet heard. I was a fan of the first two, so this was a welcome addition to my collection (I believe there is a CD version released as well). ‘Hydrolysated Ordination’ sees the band pick up where they previously left off, this album is maybe just be a little less experimental than the first two records. When I say things like experimental or progressive do not take this the wrong way, their music has always pushed the envelope on traditional styles. Yet it pushes extreme to even more extreme levels, in interesting and inventive ways. So, this may be largely a little more defined than in the past, but those elements are still there. Such as the eerie piano key accents occasionally pop up, the creepy, horror inducing sound effects, clips, and sound samples still create a gloriously grimy ‘n, sick atmosphere on here. The ambience is always thick, off-putting and sinister to the maximum. The main body of the music is rhythmic, almost ritualistic and hypnotic as those massive doom death metal riffs chug along in the musical version of an unrelenting Michael Myers stalk through the night. There is growling death vocals, and they are good, but they are so obscured and shadowy that they tend to melt right into the begrimed rumbling riffs, becoming part of the music, never standing out yet filling in the gaps in a satisfying way. The music as a whole just twists and turns, ever so slowly in serpentine streams of molten magma, liquefying all it comes in contact with. You have heard it before, but probably not quite like this, as any Cabinet recording is a experience you will not soon forget (the song titles are almost worth the admission alone! Haha). - Dale
https://bloodymountainrecords.bandcamp.com/
http://www.bloodymountainrecords.com/ |
|
This band marks
yet another collaboration between Chaos Records and Maurice de Jong,
with another of this man’s solo band projects. I have reviewed this
labels two previous releases of his other band The Sombre, which is
excellent, and you should check out. Some of the other bands Maurice
or ‘Mories’ as he is also known include (this is a partial list!)
Black Mouth of Spite, Caput Mortuum, Cloak of Altering, De Magia
Veterum, Dodenbezweerder, Gnaw Their Tongues, Golden Ashes, Grand
Celestial Nightmare, Hagetisse, Malorum, The Black Mysteries. Most
of his bands are some variation of black metal, but like The Sombre,
this band is in the doom death metal realm. Though, I think Cadaver
Shrine may lean a little more in the death metal direction, if only
slightly more than the aforementioned band. The death element on
here may be more omnipresent, in it’s own suffocating and marching
way. The doom aspect is still strong though, and brings along with
it a darkly dismal aura, that closes in on you on all sides and
weighs you down, as a listener. I feel like this music is more about
the feeling and atmosphere, but that does not discount that there
are some killer heavy tremolo riffs, and some enjoyable fills with
some tasteful guitar work on display amongst the audio murk. Mories
also has the very obscure, shadowy, murmur slow roll growling down
nicely, and it only adds to the overall ambiance and gloomy tone of
the musical experience. I have not listened to a lot of this fellows
black metal projects, but damn he has some strong talent in the
death doom realm that you should look in to, and focus some of your
attention. - Dale
https://gnawtheirtongues.bandcamp.com/
https://www.chaos-records.com/ |
|
This Czechia band is one I have been wanting to check out for a long time. The reason being in large part due to this being the band of main man Blackosh, who was a key member of the great band Root for the first 15ish years of their existence. I am a diehard fan of the early works of Root, especially their first album “Zejeveni” in 1990, which I was lucky to buy the first pressing of the vinyl a year or so later on an obscure distro. There is even a guest appearance from the mighty Big Boss of Root on here. Well, anyways, I get sidetracked, but from what I am listening to now, and what I read about Cales earlier releases, I am assuming their sound/style has evolved since earlier years of the band. Because I see a lot of mention of goth-y hard rock/metal and folk mixed into the music, but thankfully I hear none of that on “Chants Of Steel”. Maybe that is what kept me from going too far out of my way to check Cales out sooner. I also seen the odd mention of traditional doom and heavy metal, now that I do hear on this album alongside a slightly more modern pagan metal style. It seems to me that emotion is key to the bands songwriting, it is heavy, it is triumphant, it is atmospheric, but above all everything is done evoke emotion in the listener. It is sometimes haunting, it is sometimes poignant, it is introspective and at other times injects some anger and exultant evil energy. I do not want to push the doom element too hard here, it is there in the classic sense of that style, but it is a background fixture with dark heavy metal and blackened pagan/viking metal in the forefront. When it comes to the building feeling of the music, that crescendos and morphs while always keeping things straight forward and memorable, it all speaks to Blackosh’s talent and mature songwriting abilities. I should also mention here Blackosh’s vocals, they are phenomenal in my opinion. Much like the music, his is filled with emotive electricity, and charisma drips from his voice and helps you feel the music so much more. Blackosh also has a distinctive, interesting voice and vocal style that makes me think of an interesting mixture of viking-era Quorthon, older Dave Mustaine of Megadeth, and a small sprinkle of Messiah Marcolin of Candlemass for good measure. There is just something very infectious to me about his voice, which I am addicted to. This is a good album, if you tend to like the styles and influences I have listed above then you will want to give this record a try my friends. - Dale
https://blackosh.bandcamp.com/
https://edgedcircleproductions.com/ |
|
Now there is a band name I have not thought of for quite some time. I got into this UK band waaay back in the day, some time around 1991 or 1992, I bought their second album on cassette. Cancer have a long history, after forming in 1987, putting out their debut demo tape in 1988 and debut album in 1990. You can definitely throw them into the hallowed list of bands that helped pioneer the death metal genre. They even had the great James Murphy in the band, the man who was part of Death and Obituary (appearing on classics like “Cause Of Death” and “Spiritual Healing”!), which resulted in him being on that second album I mentioned buying above. I did not even mention Murphy went on to spend nearly half a decade in Testament, great guitarist. But back to Cancer, sorry I am a metal band history nerd and get sidetracked easily because of it haha. As happens too often, when bands like this are around for two, three or four fucking decades the original, or even near origin members part ways with the band. At this point guitarist and signature Cancer vocalist John Walker is the only member left from those embryonic days. Now having mentioned death metal earlier, this band is and always has been a death metal band. But they are one of those great early bands that spanned the bridge between the thrash and death metal scenes. So, Cancer had elements of both in their sound, and still do to this day. Even Walker’s charismatic death growls have a gruff, shouted thrash style undercurrent to them. I think you could say he has his own flavour vocally, but I can definitely hear hints of Tom Warrior, Chuck Schuldiner and John Tardy in his style, that is a real compliment in my books. The song construction itself and stylistically, as you might imagine, is very old school traditional death metal mixed with elements of late eighties thrash. I really enjoyed the songs on here, they are engaging, memorable and you can headbang along quite nicely. The riffing is heavy and driving, with some nice secondary fills and some tasty guitar solos mixed in. This is a really solid, damn good album that shows the old boys (especially songwriter John Walker) can still bring it and bring it good. - Dale
https://www.facebook.com/goryend/
https://peaceville.com/ |
|
Veteran Chicago stalwart death metal band Cardiac Arrest unleash no less than their eighth album ‘The Stench Of Eternity’. This band first came on my radar nearly twenty years ago with their debut album and I have been following them pretty closely since. The band has kept active in between full-lengths with a slew of EPs, split EPs and the odd demo along the way. Cardiac Arrest is a band that has a real charm for me, maybe it is due to their love of stripped down old school extreme metal. I mean I do quite dig technical and ultra fast death metal. But sometimes, possibly even often times, I just want to just hear straight up tasty traditional death without things getting busy and possessing too much extra window dressing for their own good. This simpler approach is something this band bring in spades, that great old feeling, and style that made me become obsessed with this glorious sub-genre in the first place. They hit the ground running on here in what has become their standard mid paced yet driving style that gets me pumped up. The second song “Victims Of Blasphemy” sounds like the early line-up of Slayer did a straight up death metal song, it is a pretty awesome hymn. Cardiac have that great ancient riffing style I love that reminds me of some of my all-time faves ala the old works of bands like Autopsy, Blood, Impetigo, Dead, Repulsion, Deicide, Master, and Cianide. This is good shit, and these guys know how to write memorable, heavy songs that keep it uncomplicated yet extremely effective. The vocals are those throaty, guttural and time-honoured septic death growled bellowing that I just find extremely infectious on repeated listening. These brutal old bastards keep bring it and deserve the attention of diehards of the embryonic ways of death metal yesteryear. - Dale
https://cardiacarrestdeathmetal.bandcamp.com/
https://www.hellsheadbangers.com/ |
|
I am a huge fan of old school Swedish death metal. So, let that colour this review any way you want to take it. Firstly, this is my first encounter with Carnal Savagery, which is a bit surprising to me, as I tend to like a fair amount of Moribund bands (and I have been ordering from them off and on since maybe even before they started the label, and were just a distro - stuff like Infester, Darkness Enshroud etc…). But, nonetheless somehow I never turned my attention to Carnal Savagery, and this is fourth album in the last four years through Moribund. If the other albums are as good as this one, I have some catching up to do. “Into The Abysmal Void” is a great album of old school Swedish death metal that blends the early classic sounds of bands Dismember, Entombed, Grave, Carnage, Vomitory and the like (a little early Repulsion/Autopsy thrown in too, but most Sunlight bands has a dash of that in their sound). Carnal have this sound down to a model fucking T! Something I love about them is they are vicious too, like think of the faster, more aggressive moments of the above mentioned bands, but Carnal do that like ninety percent of this entire album, it is relentless! It is also relentlessly enjoyable for me. It is impressive, despite how brutal and battering their songs are, they do manage to slip in some tasty little guitar fills and solos, here and there, ultra brief but they are there. The one area they are similar yet different from those bands is probably the vocals, courtesy of Mattias Lilja. The vox take influence from those old bands vocals, but have a little more of a wild and maniacal edge to them that suits the ferocity and speed of these songs. I had a good fucking time headbanging to this, if you worship that old traditional Gothenburg sound and can not get enough, then you have to get this record. - Dale
https://www.facebook.com/CarnalSavagery/
http://www.moribundcult.com/ |
|
 
Castrator is an all female band based out of
New York City, presenting us with their debut album that comes on
the heels of a previous demo and EP. The band features Carolina
Perez of Hypoxia on drums, Kimberly Orellana ex-Harlequin on guitar,
Clarissa Badini of Hypoxia & Tartarus on vocals. Plus on bass you
have a real veteran of the UG scene in Robin Mazen of Gruesome,
Derketa and ex-Demonomacy (whose demos I tape traded for in the
early to mid ‘90s! Yes, I am an old goat haha). Castrator play real
old school US style death metal that harkens back to those embryonic
days of the genre in a pretty glorious way. I really dig the guitar
sound, so heavy it just fucking punishes the listeners under it’s
considerable weight and ferocity. I like the traditional structures
where the song is king, not how fast you can play, how many riffs
you can stuff in a song or being ultra technical. The songs have
flow, they almost force you to headbang to them and the drumming
just pounds the listener into pulp. There is some memorable
songwriting on here that keeps things interesting and features some
interesting refined guitar work, which gives these chugging, audio
catacomb songs an extra dimension. The growling vocals with their
acidic, boiling undercurrent fit the music so well, adding their
considerable weight to the bands style. To top off the proceedings
Castrator do a killer cover of possibly my all-time fave band Venom
(my ‘zine is named after one of their releases!) with “Countess
Bathory”! This album is a damn good addition to any classic early to
middle ‘90s death metal fanatic that can not get enough of those
great old sounds. - Dale
https://castrator.bandcamp.com/
https://www.darkdescentrecords.com |
|
For the first eight years of this Slovokian bands existence, they were a two man band consisting of guitarist/bassist/vocalist Vilozof and drummer Svjatogor. But last year they decided to bring in a new full time member named Neplex to take over the vocal duties, starting with this new sophomore album. It seems Neplex would be a fairly seamless addition, as Neplex is also in the band Porenut, a band both Vilozof and Svjatogor were also part of in years past. Ceremony Of Silence is not the most prolific of bands, as they are closing in on a decade as band, and this second album is also only the second recording from them (i.e. - apparently no demos, splits or EPs along the way). That time spent developing the band does reflect well in the music on here, it shows a very confident, mature and skilled collective. Speaking of the music, Ceremony has a penchant for crafting emotionally charged and atmospherically stygian music. Their brand of dark death metal still brings the brutality and broodingly heavy riffing that busts out short speed bursts, alongside stabbing at you through with an ominous affecting gloomy aura. As mentioned this band may not be the most fruitful in overall music output, but listening carefully to this you can tell a lot of thought and rich layering went into the song construction, as did the careful yet smooth transitions.The sinister sounding whispered undertone of the slightly obscured yet still commanding growled vocals really fit and melt into the overall suffocating, foreboding feel to the excellent music on this record. I could see fans of old school death metal in the vein of Immolation, Gorguts, Ulcerate, Funebrarum, Incantation, Portal and the like loving this one. - Dale
https://ceremonyofsilence.bandcamp.com/
https://www.willowtip.com/ |
|
The South American UG scene just keeps giving, seemingly endless amounts of quality bands, which in my view you can add Chile’s Coffin Curse to that long list. The band is a duo, both of whom have been active in the scene for a long time in bands like labelmates Inanna (both men come from this band), Throne Of Evil, Sol Sistere, ex-Trimegisto, ex-Nocturnal Blasphemy. They play darkened death metal of the vintage variety, invoking that glorious early ‘90s American death metal sound in wicked fashion. The riffing is a great driving tremolo attack that comes at you in rhythmic waves and it refuses to let up. I mean you should get ready to headbang! Like most great embryonic death metal from that time period their thrash roots inevitably show up, especially in some of the more refined guitar work, fills and brief classy solos. The music brings a lot of energy and even though it is furious, their songwriting skill shines through with some memorable songs that are heavily cloaked in a sinister, graveyard like aura. The deep growling of Max Niera are superb, and commanding, deliciously accented with higher pitched gurgling voices to top off his quality vocal arsenal. They have this old sound and style down perfectly, this album is sure to please and possess die in the wool fans of the early works of Morbid Angel, Immolation, Malevolent Creation, Monstrosity, Deicide, Vital Remains, Massacre and the like. You know the stuff from back when the scene was exploding out of it’s birth canal. The bio uses the description of a fresh breath of old air, that is a great line and sums up this solid album. - Dale
https://coffincurse.bandcamp.com/
http://www.memento-mori.es/ |
|
 
I have heard
rumblings of this relatively new Scottish band, on the back of their
first label release with the “Septic Funeral” EP. Which was
unleashed initially through the vocalists label and then coming on
to my radar with that EP’s re-release, on the great Redefining
Darkness Records. Those positive rumblings were well warranted, in
my view. The first thing that struck me is the music has this morbid
graveyard atmosphere to it, which casts a stygian inky coating all
over their crushing metal sound. The songwriting often fluctuates
between a medium to moderately fast pacing with real gutfuck
riffing, but they also manage to mix in with some regularity
delicious necro doomy elements (that remind me to almighty classic
Autopsy album "Mental Funeral"). I fucking love it when they do
this, it also, in my opinion really gives a depth and a superb
emotional juxtaposition against the speedy core of their sound, with
epic results. Having said that, when they do decide to sit back and
pound, they pound a hole in your chest that a jackhammer would be
proud of. Their music is a wonderful mix of influences from the
hallowed earlier days of death metal with bands like Entombed,
Dismember, Grave, Benediction, Bolt Thrower, Massacre, early Death,
and the aforementioned Autopsy. The one slight difference in style I
feel is Coffin Mulch has a little bit more of a thrash edge than
some of those tectonic bands. This extends to the killer vocals,
courtesy of Alastair Mabon (who also runs the aforementioned record
label At War With False Noise), who puts in a hell of a monstrous
performance on the mic, which much like the music is an amalgamation
of the vocalists of those influential bands above. Also like above
there is a minor yet noticeable and effective hint of a gruff thrash
metal style yell mixed into these SUPERB sounds coming from this
mans vocal chords. Admittedly, there are a lot of bands these days
combining these influences and styles, or similar variations of the
described influences, but I honestly do not care because it is death
metal perfection by my personal tastes. So I am here for it all day
and night! Beyond that though Coffin Mulch really does this sound
with their own little spin and they do it really fucking well. -
Dale
https://www.facebook.com/coffinmulch
http://www.memento-mori.es/ |
|
Portland, Oregon’s Coffin Rot is a new band for me, though not a new band to the pages of Canadian Assault. As my metal brother Patrick reviewed their debut album in CA pages about five years ago. Despite that gap between albums, this band actually has a few demo tapes, a live cassette, an EP and a split EP in their seven year history. So, they have kept things steady and decidedly underground, which is great in my books. That brings us to this, their sophomore album, and their first release of new material for the respected and rising Maggot Stomp Records. This album is excellent brutal death metal that has a lot character to it, in between the driving heavy riffs and piston drumming is some refined and emotive guitar work. They manage to create a really good, sickly necro audio atmosphere throughout. This brings me back to a classic mixing of US death metal ala early Autopsy, Obituary, Cannibal Corpse, Monstrosity, Skeletal Remains along with some Benediction and Grave for good measure. They really capture that aura Grave had on their early works especially on here. It all combines to create a pretty killer melting pot of molten brutality. The growling vocals Hayden Johnson are fucking fantastic, my kind of charismatic, deep yet decipherable vox that remind a lot of a blending of the mighty Dave Ingram and Jørgen Sandström. This is a really solid album of traditional death metal for all the diehards out there that can never get enough. - Dale
https://linktr.ee/coffinrotofficial
https://maggotstomp.bandcamp.com/ |
|
I am not going to lie, I was pretty stoked to get my claws on this album. For those who do not know Coffin Storm is a trio out of Norway, which features Apollyon (Aura Noir, Lamented Souls, Waklevören, ex-Cadaver, ex-Immortal) and Bestial Tormentor (Infernö, Lamented Souls, Waklevören) and Fenriz of Darkthrone. I think you can already tell why I was interested in this bands debut recording. Before you start thinking, oh fuck this has to be some kind of sick ‘n fast black metal madness, you will need to adjust your expectations. Coffin Storm play traditional heavy metal doom! Which is just aces for me, as I have been a fanatic of many forms of metal going all the way back to the early / mid 1980s (yes I am an old goat!). Despite my expectations, I am not sure I was prepared for “Arcana Rising” to be this good, and for it to be this faithful to the early days of metal. These three metal demons create some amazing heavy doom metal that is high on emotion, along with requisite strong songwriting that manipulates that emotion with all the skill, and command of an accomplished musical puppet master. The songs build things up slowly, stringing you along and usually crescendo in a very satisfying way. Despite the heavy doom influence, they do keep things moving along at a slow, but steady pace with some heavy (almost like molasses thrash style) riffing and some tasty supplemental guitar work. I was truly impressed with the vocals of Fenriz, he has that classic doom metal voice of old down to utter perfection. I was surprised by the range he displays, hitting multiple ranges and registers, his voice drips with an affecting emotion that matches the wonderful music just superbly. I mean who knew Fenriz could make his voice sound like guys singers such as Messiah Marcolin, Robert Lowe, John Cyriis, and Bobby Liebling? Well he does, and I simply can not get enough of it. This really is a highly enjoyable album for me. I can not imagine diehards like myself, if you love old heavy metal doom ala Black Sabbath, Pentagram, Candlemass, manilla Road, Solitude Aeturnus, Solstice, Pagan Altar or even some newer bands in this tradition like Smoulder, Crypt Sermon, Ecclesia. Then you will love this I am sure. - Dale
https://www.facebook.com/coffinstorm
https://peaceville.com/ |
|
After this
Californian band released two demos in 2020, and subsequently their
debut full length in 2021. Conjureth is back with their second full
length ‘The Parasitic Chambers’ contains ten tracks of heavy pure
death metal music. The members of these bands have plenty of
experience in the UG scene and are also in bands like Gravespell,
Encoffination, Messial, in addition to three of the four members of
Cojureth also currently in the death doom band Tumulation together.
This group of musicians on this release play their instruments
display some skillful writing ability. The guitarist showcases a
nice mix of mid paced heavier guitar passages, then will go into an
all out assault with fast paced frenzied guitar patterns. The
guitars are both feature both heavier and faster parts with equal
intensity, and even adding some well performed solo's throughout the
songs. The vocals are performed with traditional death metal growls
that are powerful and commanding in their delivery. This album sees
the band taking a clear step forward and in my view a must have for
all of the death metal fanatics out there. - Patrick
https://conjureth.bandcamp.com/
http://www.memento-mori.es/ |
|
This is my first
foray as a listener of this UK bands music here with their third
album, and first for the well respected Redefining Darkness label.
Consecration produces an interesting brand of doom death that is
pretty nuanced drawing from old school death metal sounds ala Bolt
Thrower, Benediction, early Autopsy, Obituary, Immolation and Grave.
Their doomy side is a mix of more traditional doom death like
Disembowelment, Winter, Thergothon. This, with hints of funereal
doom alongside a healthy doses of classic melancholy doom style, I
am thinking of the embryonic early days / releases of bands like
Paradise Lost, My Dying Bride, Anathema, Novembers Doom, Mourning
Beloveth and the like. I can not really express enough how strongly
the dark despair and hopelessly gloomy aura deeply saturates itself
across the entire landscape of this album. It is to the point of
oppressive, but in a good way, just stay away from all the sharp
objects in your lair. The simmering growling courtesy of vocalist
Daniel Bollans have a wrathful acid edge to them yet are always
filled with emotive brooding and cavernous despondency. The
production and mix on here is absolutely perfect for this bands
sound. Speaking of the vocal work on this album, the song ‘Ground To
Ashes (A Cremulation)’ features a superb guest performance from one
of my all-time fave dm vocalists, the great Dave Ingram from
Benediction! Which was a real treat for me to top off a death doom
album that has to be one of the very best I have heard in this
style, maybe in the last decade! It is that fucking good. - Dale
https://consecration-uk.bandcamp.com/
http://shop.redefiningdarkness.com/ |
|
The bad news for those that have not heard, Cerebral Rot, also on 20 Buck Spin, has disbanded. It did not take long to be followed with good news, as two members (guitarist Clyle Lindstrom and guitarist/vocalist Ian Schwab) of that excellent band went on and formed Corpus Offal. So, you get the same songwriting team, on the same instruments and vocals, in addition to a new rhythm section with bassist Jason Sachs (ex-Demoncy) and Jesse Shreibman (Bell Witch, Autophagy) on the drums. It is a strong foundation of experience and quality musicians to build up something new. As you will guess after that introduction, this is their debut album, after pushing out a demo recently. That was enough for 20 Buck to sign Schwab, Lindstrom (and company) right up again. It did not take me long to find out why, once I hit play on this killer coming out audio party. These guys produce some truly brutal and gloomy death metal that crawls up from the darkness and crushes all in it’s path. They do so with a superb mid pace rumbling, turbulent dirge that has more depth and refinement in the guitar and drum work. More so, than might expect from something so grimy and massively heavy. Yes they do often plod along at that middling pace, but there is frenzied speed bursts and they also break down into some truly doomy shit that adds a nice dark emotive flavour to their style. The low ‘n slow mainstay guttural growls feature a nice ability to stretch and contract, flow and intensify to support the musical horror so well. Schwab also accents those main vocals with some cool gurgles and boiling wretches, it is a nice flair to finish off a solid performance on the mic. The vocals are like a cross between the vox of Immolation, Disembowelment, Demilich and Disgorge or something along those lines. This is definitely old school death metal, I am old and came in with that original school, so this more than suits me just fine. Some musical influences from that style and time I hear is bands like Morpheus Descends, Incantation, Rottrevore, Baphomet, Infester, Monstrosity, and Convulse. The bio threw out Cianide and Goatlord as influences as well, both good names and I can definitely hear that in there too. This record is for the old goat (in age or spirit) diehards like me who simply can not get enough of this classic sound, when done well, and it is. - Dale
https://www.instagram.com/corpusoffalofficial
https://www.20buckspin.com/ |
|
Coming hot on the heels of their searing split EP with fellow countrymen Feral. The Swedish horde Crawl, after a six year wait, now returns with their second album, once again through the mighty Transcending Obscurity label. Crawl play intense, and violent death metal that stomps and mauls the listener into submission. This is some intense, heavy music that immediately conjure up thoughts of the classic Swedish sound with bands like Dismember, Grave, Carnage, and some newer bands in this style like Kaamos, Bloodbath and Entrails. Think of the most deadly, intense aspects of those bands and you will have a mental picture of the sound of the music on this album. Another interesting and different quirk of theirs is they mix in influences of crust with that glorious Swede sound, which you can hear hints of across the board from the riffing to the song construction, and yes even in the vocals. Too many stylistic influences like this can muddy the waters, but not with this band, they mix it in so smoothly and skillfully that it enhances everything. It only serves to add a whole other edge, an extra layer of electric intensity that takes their crushingly heavy brutality to another place, an awesome place. This album, for me, it is just so infectiously delicious to listen to, I am having a hard time hitting stop after hours of the album playing on a loop. You should really give this stuff a try if you worship that old Swedish sound with a new yet still old extreme twist. - Dale
https://crawldeath.bandcamp.com/
https://tometal.com/ |
|
This is the third album from the long running band from Chile, with all their albums courtesy of the cult label Unspeakable Axe (this time around with a collaboration on the vinyl version from Dying Victims). I am immediately struck by the blitzkrieg, lightning fast music on here that features blazing guitars that howl with the angry disgust and the rage of a caged beast that is thirsting for blood. The adrenaline laced energy on here is astounding, it does not let up for a second and will leave you battered and exhausted. The echo tinged vocals from Felipe Alvarado match every bit of the musical explosion, they are commanding, mean and dripping with acid and that classic ‘80s style edge gruff delivery. But rarely did you hear them this pissed off. Despite that freight train speed there is a lot going on with the guitars and some interesting songwriting histrionics that keep things interesting. If you love the enraged, fastest, and heaviest thrash stylings from the mid to late ‘80s ala Kreator, Slayer, Voivod, Dark Angel, Destruction, Exodus, Sadus that is made for today then you really should check this out. - Dale
https://www.facebook.com/criticaldefiance
https://unspeakableaxerecords.bandcamp.com |
|
 
The old UG scene
legends Crucifier still live on and are battling after all of these
years! For the uninitiated and unwashed those years of history
stretch back to the bands formation in 1990 and the release of their
first demo tape "Humans Are Such Easy Prey" in 1991(!!). The band
since the beginning has been the demonic hoofed baby of Cazz Grant
(Hearse, Abhomine, ex-Grand Belial's Key). I guess the second
longest serving member off and on would be Spencer Murphy (ex-Goreaphobia),
who I used hang out with years ago in my Philadelphia days, get in
touch Spencer! Crucifier has always trafficked in a primeval brand
of driving old school black death metal insanity that always
possesses an evil, rotting necro atmosphere. I like semi-regular
interesting guitar fills, which at times drive the song as opposed
to a more singular riff largely driving the entire song. The
excellent vocals from Cazz Grant are dripping with a classic
shadowy, echo-y malevolence and those growls are always clear enough
and enunciated well enough to follow the lyrics clearly. The vocals
really remind me at times to one of my favourite Canadian bands
these days and that is Shadu-Nar-Mattaru (formerly Morbid Darkness
from the late '80s to mid '90s). Another thing I like about the
music on here, it is stripped down and a little more on the simpler
side of things. I mean that as a compliment as they are not about
maximum brutality, or lightning speed, a million riffs or ultra
technicality. No, Crucifier are all about just serving the song,
striving for what is memorable and stirs emotion and it really
works. This is a definite case of less is more, with a tried and
true style this band has exemplified and honed to a sharp cutting
edge through years of experience. The band finish things off with a
pretty spirited Carnivore cover of “Jesus Hitler” that fucking
kills, I enjoyed this cover a lot and they brought something new to
it. This is a great mini-album for old school fans of debauchery and
blasphemy from the early embryonic days of death metal madness. Get
this! - Dale
https://www.facebook.com/theblacklourde666
https://ironbonehead.de/ |
|
I actually have a very peripheral history with this band. I was clued into Cryptopsy very early on, by my great old friend / tape trader Alex Gagnon. Who sent me their demo tape, as well as a number of their live shows (audio & VHS) he recorded or obtained in 1993/94 of the band. I became a huge fan of the band immediately, talked to them by letter back then, shortly afterward as fate would have it another old friend / tape trader Mike Campbell (The Sepulchral Voice fanzine) became their manager for a brief time. During this period Mike gave my phone number to then guitarist Steve Thibault (original member who wrote music on the demo and first two albums, even though he left the band before the recording of the second album “None So Vile” for a high paying job apparently). Sorry for my side tangent, anyways Steve told me he was setting up their first tour outside of their province (at the time in 1994 their first and for me the best album “Blasphemy Made Flesh” was only out on cassette tape), and the tour was falling apart because they could not find anyone to set up shows through the middle of Canada. So, to make a long story less long, haha, I helped them with contacts to organize the shows they needed to make the tour happen. I attended some of those shows and they were amazing! The band got signed and kind of exploded not too long after that, and became a hugely influential band in the UG scene, as most reading this will know. For me, after those first two classic amazing albums that seen the departure of Steve Thibault, and shortly afterward also the almighty Lord Worm, despite the amazing talents of Flo Mournier the band went dishearteningly downhill. So much so, that I have to admit as big of a Cryptopsy fan as I am/was, I found myself so turned off by the Mike Disalvo on vocals era (somewhat musically and most definitely vocally) that I largely stopped following the band for a long time. I have purposely kept them at arms length since then, maybe not fair, but it was my choice. That was until I decided to give “The Book of Suffering - Tome I & II” EPs a listen, which sparked some interest for me back in the band. I was even looking forward to this album. It does not hurt that Disalvo is long gone, and while vocalist Matt McGachy is no Lord Worm, in my opinion, he is miles better than Disalvo and fits the reinvigorated music pretty well with a more classic rapid fire death growl and alternating high nasal screeching. Musically this album fully returns to all the signature earmarks that made them great, from the manic hyper busy pace, to the speedy ultra techno structuring, to the crushing intensity and stylish guitar musicianship, it is all here. You never mention a release by this band without mentioning the tour-de-force drum work of Flo Mournier, who in a lot of ways changed drumming in death metal with his influential and signature style. I do not think Cryptopsy will be able to once again reach the heights of their first two albums. Yet, I think the band is truly back on the track of creating and releasing very good to great material again, for me this is easily the best work from them I have heard since those early days. It has been over a decade since their last full-length album, that is a long wait, but despite that Cryptopsy do not disappoint on “As Gomorrah Burns”, and have delivered a hell of a record showing they have plenty left in the tank. - Dale
https://www.facebook.com/cryptopsyofficial/ https://www.nuclearblast.com
|
|
This is the solo band of New Jersey’s Evan Daniele, and this bands third full-length album in as many years. Which, before we get much further, to me that is impressive all by itself, no? There is one guy writing all the music, practicing and recording all the parts himself and releasing three albums (all real albums too, not this passing off 20-25 minute recordings as an album) in three years. This dude does not rest on his laurels, I mean that is not even counting his other band Sentient Horror, in which he is the drummer, has also released an album during that time frame. The music on here is pretty massive too; it is some brutalizing, crushing and technical death metal. The song construction is often a duality of speedy and heavy death metal (that you can really headbang to), along with intermittent bouts of slightly slower guttural audio gut munching sections.Good luck having any hopes of catching ones breath, and resign yourself to enjoy wallowing in it all like a fat pig in mud on a hot day. Something else to savour along the way is the chunky sounding bass and skillful technical guitar nuances, which slither and swim in between a severe speeding pummel. Those bits, which are a staple remind me a little of techno elements of Gorguts “Obscura” album, if you placed them in the middle of a classic mixture of albums from Suffocation and Disgorge. There is also no denying, at least for me, the influence of Demilich, not just in the music alone, also in some of those fantastic gurgling toad growling vocals that band became known for, I should probably throw early Carcass in there too somewhere. I have to admit I am really enjoying listening to the otherworldly death metal devastation on this record. It also makes me realize I need to catch up on this young bands back catalog. You know what to do, and soon. - Dale
https://deadanddrippingus.bandcamp.com/
https://transcendingobscurity.aisamerch.com/ |
|
You know these legends have been around forever when I can say, as a fellow old metal goat myself, that I was not in the UG scene when they were releasing demo tapes in the mid to late ‘80s. I was around, I was into metal that whole time, but had no idea there was such a thing as the underground metal back then haha! No, I discovered this band on their debut album released in way back in 1991, which was around the time I was discovering said UG scene. Also impressively unlike most bands around a long time there is often if you are lucky one member from the early years going onward today. Deceased on the other hand have three of them that have been in the band for 30+ years or more! It goes without saying I have seen these guys live over the years and they are great. Hell, I was even right next to the whole band many years ago watching Anvil live as those same three members headbanging along and passing a flask of booze back and forth haha! Good memories. Here I go again rambling on history. ‘Children Of The Morgue’ marks their eighth album (alongside scores of demos, splits and EPs), once again on the mighty Hells Headbangers Records. Deceased may have become better musicians over the years, top flight musicians in fact, but they never forget their roots and never stray too far from them. This band has always taken their craft very seriously, they do not release music unless the songs are always damn good and even great. This album has all of their signatures, heavy riffs, memorable hook-y songs that have a supreme level of emotional builds, and corresponding crescendos that will effect you to the core. There is a fantastic high level of guitar work going on here and some smoking hot solos. The songs usually have this magic combination of rapid forward speeds with an all encompassing atmosphere running through it all. The almighty King Fowley’s drum work is always classic sounding, and always on point, never too much, nor too little. Then we come to King’s vocals, his voice is so charismatic, his timing on his delivery is always poignant and affecting. I just love his vocals so much, he does not just he make everything about his accents and is sure to support the music. A very different style of course, but in that way he reminds me of King Diamond, whose vocals are always as integral to the overall piece of music as much as any other instrument on the recording. I could listen to this thrashing death metal album on repeat all night, and I probably will do just that. The legends are still doing it, and still doing it better than most of the scene who are half their age!! - Dale
https://www.facebook.com/deceasedofficial/
https://www.hellsheadbangers.com/ |
|
Demoncy is a New Jersey band that I have been following for a very, very long time. How long? Well, I tape traded for a few of their demo tapes in the early and mid 1990s, so that long. They formed in 1989! Enough said. The band has had some slow periods, where I will be honest I was not sure they were even still around for a couple of those times. But I am pleased to see they never stopped. I suspect line-up changes had a lot to do with those down times, as multi-instrumentalist Ixithra (at times the solo member of the band on some releases) is the only founding member of this, now five member band. It is great to see this old UG metal goat keeping the old flaming burning all these years! On the music. It opens up with a long, slow burn yet eerie, inhumane growling ambient introduction to this album. Those gurgling growls remind me to very early (7” and first album) Impaled Nazerene. Then we launch into track two, entitled “Ipsissimus of Shadows”, which quickly sets the tone for the rest of the album. Which is driving, evil as fuck old school black/death metal that is heavy with a constant permeating necrotic graveyard aura wrapped around everything on here. This atmosphere they create is so gloriously sinister, it sends me mentally to some freezing cold and baleful places. The guitars are crushing, but not in that brutal death metal way, more in a cutting, ritualistic and malevolent sounding fashion. The vocals are ominous whispers with a strong undercurrent of early second wave bm rasping. I enjoy those vocals very much. There is another long not intro in the middle of the album, maybe an interlude rather, which is very similar to the intro. Which, might make one might think they did this to pad these (totaling over eight minutes combined) out into the running time of a full-length album. But I don’t really care about that, they sound as evil as hell all by themselves, and really round out the superb atmosphere of this record. I think you will hear, if you listen close, elements of this music that remind to the embryonic days of bands like Beherit, Profanatica, Masochist, Archgoat, Blasphemy, Impaled Nazerene, Black Witchery, and Bathory. Despite some similarities with those bands, I would say Demoncy are less pummeling and blunt force trauma than those bands, it is raw yet a smoother and more serpentine version of those bands stylistically. I found this album quite intoxicating and addictive. I can listen to this endlessly, it is that good. The only time I might hit stop is to listen their mini-album, also released this year on Hells Headbangers. - Dale
https://www.facebook.com/Demoncy1/
https://www.darkdescentrecords.com/ |
|
This is a long awaited return for Demonized,
who released put out a demo, a split, and their debut album 20 years
ago! The only member of the band that is still around is founding
member and Mexican UG scene legend Antimo Buonnano, who is known for
a number of bands like Profanator, Hacavitz currently, as well as in
the past Impiety, Ravager and some very influential (these days)
releases with Disgorge. Antimo has went out and replaced the old
members with some real veterans of the scene like César Sánchez (Hacavitz,
Xiat, Profanator) on drums, and Gene Palubicki (Perdition Temple,
Hexorcist, Malefic Throne, ex-Angelcorpse) on guitar. This five
song, twenty-one minute release explodes immediately out of the gate
with a raging, warring death metal attacking blitzkrieg and it
really never let’s up from start to end. It just keeps coming, and
coming with biting, driving guitars that pummel forward like audio
lightning yet also manages to inject small amounts of headbang
rhythms into the maelstrom. Hell, there is even some short frantic
guitar solos that strike in, and out, like a venomous cobra. The
hammering drums is utterly relentless battering upside your skull.
Then you have Antimo’s vocals which are scathing, caustic cheese
grater to the vocal chords yelling / growling that are definitely
reminiscent to me of Pete Helmkamp, and I am not just saying that
because Gene is in this band. I mean Antimo here sounds more like
Helmkamp than he does like Antimo, for example, going back into his
Ravager or classick Disgorge days Haha! If you like some of the past
works of these fellows bands (especially the ones that shared their
current record label in the past hehe) you should look into the
warfare death metal madness on here. - Dale
https://www.facebook.com/demonized666/
https://www.osmoseproductions.com/ |
|
It was a good, old familiar feeling to see this new album from Destruktor, their third album and first release in nearly a decade! It is that good feeling because I have been into this band since the very start, so it is like visiting an old friend. I think I may have even been in touch briefly with the lone founding member, guitarist/vocalist Glenn Destruktor even before Destruktor’s first demo tape. Yeah, that long, we are talking probably 1996 when we first got in touch. Shortly afterward, a demo entitled “The Holy Trinity…Denied!” was reviewed in the pages of CA during the early days of the print version of Canadian Assault. I was in regular contact with Glenn for years, but we lost touch since then and I probably only talk to him when an increasingly rare Destruktor release comes out. So time to get in touch again Glenn! The black death metal music on here has a very traditional vibe, you can feel that this warrior was there right from the beginning, he lived the embryonic years of it’s birth and that classic sound bleeds out wonderfully through the music. The music may be straight forward, slightly stripped down yet it is not simple music either and keeps constantly moving forward on the musical march. I find the music on this album quite infectious, the repeat button rolls it all over again and again for me. The driving, dirty and organic sounding riffs really pound and the songwriting keeps a rhythmic slithering with slight yet heated pace shifting. Which is something that keeps me riveted, as it is propelled along with a commanding and tastefully forceful performance on the drum kit from Jahred Mawdsley. The vocals are tormented, guttural yelled growls that have a sinister rasping undertone. There is this dark aura that is wrapped around all of their music, alongside the great serpentine riffing. I think this is a large part of the formula that makes me like this album, as much as I do, and it is as mentioned imminently re-listenable. If you love old school black death metal and bands that uphold the hallowed tradition of Australian UG metal then you should get a copy of this record!
- Dale
https://destruktor.bandcamp.com/
https://www.hellsheadbangers.com/ |
|
Detherous is a
Canadian band that hails from my general stomping grounds where I
grew up in the province of Alberta. The band has put out a demo, a
few single digital download songs, a split cassette EP and then
their debut album (also on the awesome Redefining Darkness label) on
limited disc and vinyl. ‘Unrelenting Malevolence’ is their sophomore
record and despite not having heard any of their previous material I
am confident these guys have managed to shake up off the sophomore
jinx, so to speak. Detherous has two speeds only and those are
moderately rapid and fast forward heading headlong into the fire! I
mean these guys are fucking relentless and never let up for more
than a second. There is some nice guitar work on this album
including those sudden brief hit and run crazed guitar fills that
border on blitzkrieg soloing. The vocalist Damon MacDonald has that
marriage of the classic raspy thrash yell mixed with highly
decipherable death growl down to a model fucking T – damn good
stuff! The drum sound here is really good as well highlighting a
really solid and spirited performance on the kit, they avoid over
producing and neutering the grit and character of the drum sound.
This band style wise is the demon child of Demolition Hammer cross
bred with the first Death album “Scream Bloody Gore”, early Kreator,
Possessed and Dark Angel alongside dashes of Obituary and fellow
Alberta band and local legends Disciples Of Power. If you love old
school deathrash metal then I have a band you need to check out.
- Dale
https://detherous-ca.bandcamp.com/
https://shop.redefiningdarkness.com/ |
|
France’s Disfuneral is an outgrowth of Herpes, that is the band Herpes, which is what this band was originally called. They released a two demos under that name in 2010, and 2012, before changing their name to the current moniker. Three out of four of the current members of the band currently go all the back to those STD days of yore. Which is cool, it also means they have been making music together for fifteen years now and it shows in their musical progression and proficiency. This is Disfuneral’s second album, I reviewed their debut album elsewhere, if you care to search for it. They have really nailed down their sound by this point, that gloomy and grimy atmosphere is present, it is palpable and has never sounded better. Their songwriting is on point, they manage to pull out a suffocating performance that is also quite affecting and emotive. So, in that sense it is some strong song crafting here as they manipulate the listeners emotions in pretty glorious and exceptionally heavy musical ways. Their classic death metal roots are strong with superbly interpreted Swedish death influences ala Dismember, Grave and Carnage mixed with heavy doses of doomy death metal much like the earlier work of Autopsy (all hail “Mental Funeral”!) into a potent elixir. The vocals of Renaud Mann, which to me are a killer mixing of Jørgen Sandström, Matti Kärki and Chris Reifert on vocals. Those yowled ‘n growled intense vocals are so fucking good and add so much to the music and the overall atmosphere. This record from top to bottom, for me, has no weaknesses as every song delivers. So, if you love the bands mentioned above and worship doomy death metal then you really need to hear this album. It is on endless repeats for me. Check it out and use this as your soundtrack the next time you read some H.P. Lovecraft.
- Dale
https://www.facebook.com/Disfuneral/
https://redefiningdarkness.8merch.us/ |
|
You may or may not remember I reviewed Diskord’s album “Degenerations”, a few years ago. This Norwegian band is a really interesting one, as I mentioned back then they take a lot of influences and stylistic components you have heard in extreme metal before. But they twist it, turn it and flip those sounds on their head resulting in a very interesting and different sound than what you usually will come across. Diskord mix, match and blend the various styles of styles of traditional dark death metal, brutal death metal, technical death metal with healthy dashes of thrash metal. They do so by constructing extremely unpredictable songs that keep you constantly guessing at what will come next. While it is a real hodge podge quilt of time changes, and direction shifts. They somehow manage to do it all in a way that the flow of the songs never suffer, or ever enter into being over indulgent, in my opinion. These four songs from them are highly entertaining and they bring all of the above mentioned elements whilst doing it. They bring atmosphere, technicality and brutality in a way that is their own cool eccentric stamp. Moving over to the United Kingdom’s ATVM you can see why these two bands were paired. While ATVM may not be quite as unpredictable and avant-garde as their counterparts on this release. They are also not all that dissimilar, as they also bring extremely technical, frenetic brutal death metal with song construction that is also quite acrobatic and fluctuating. You could probably throw the progressive tag on there even, though I think that tag does get abused a bit, but still it fits well enough. While all the adrenalized, consistently morphing sequences are running all around, they often do like to have an underlying catchy guitar fill threading through much of each song. ATVM’s final song for me maybe does meander, losing the plot and over stays it’s welcome a little at almost 12 minutes long, but this only a small criticism. Overall, everything is very well done, and both bands also stick with the more traditional raspy growled vocals, which only serves to root in the right things in place for me as a listener with all the other envelope pushing. It is impressive just how extreme both of these bands are while still having such inventive, unconventional and thoroughly engaging songs. Songs that never suffer rate of flow issues as is often the case when bands attempt to be this ambitious. If you love stuff like StarGazer, Atheist, Pungent Stench, Carbonized, Disharmonic Orchestra, later Gorguts, later Voivod and the like as a generalized reference then you need to get a copy of this
- Dale
https://diskordband.bandcamp.com
https://www.facebook.com/AtvmOfficial
https://tometal.com/ |
|
New Jersey’s The Donner Party has been out there battling it out in the UG scene since 2009. Their output of releases has been a little on the sparse side, considering that time span, managing to only get out three (self released) EPs and a four way split disc on Pisssart Records, over the previous 14 years. But now they heave readied the release of their debut album through the dedicated Paul Caravasi’s new record label Soulgrinder Records. The Donner Party play a high energy, and monster riffed brand of crossover thrash metal that invokes, updates, and re-invigorates the old classic bands of the early days of this style. I can not say I listen to crossover thrash on the regular, but I do listen to it often enough, not to mention being into it for a very long time. I am talking about buying and listening (Yes, when they came out, I am fucking old Haha!) to the early releases of bands like D.R.I., Cryptic Slaughter, C.O.C., Wehrmacht, Agnostic Front, Cro-Mags, The Accüsed, S.O.D. etc… Anyways, the music on here is a real monster, and features some ripping songs that are memorable as fuck, along with some great lyrics. Now, I am not always the biggest lyric guy, to be honest, but these guys do a great job here. I have to admit, being a big old school wrestling fan, I got a huge kick out of the song “Razor Sharpe”. Which, believe it or not it is about my fellow Canadian “Iron” Mike Sharpe, they nailed it and I can hear Mike’s constant grunting and yelling as I listen to these superb lyrics Haha! I am also not always the biggest fun, or party band guy, but I do dig that from time to time, when I am in the mood for it. I mean I am a big fan of Gang Green, so you know... Not that it is all fun, and silly here, no there is some more serious and even deep shit here and there. The song “I’m Not Amused” is a good example of this, and damn good message to boot, or even to put the boots to, if you know what I mean. I really should talk about the man who sings all the catchier than the common cold lyrics on this album. That man would be Ross Snyder. This guy has some really good classic style vocals, it is like a base of early Tom Araya mixed with enjoyable and strong undercurrents of Roger Miret, Harley Flanagan, Billy Milano, Spike Cassidy, and small sprinkle of Mike Muir. Yeah, those vocals are perfect for this music. If you kinda like, love, or are a diehard fan of crossover thrash metal then you really need to get a copy of killer record. - Dale
Speaking of Paul Caravasi, who does one of the best print fanzines in the entire UG scene (write him and order an issue immediately!). Paul has also been putting out some discs from bands, and a series of interesting compilation discs under his Soulgrinder ‘Zine Records banner (I am not sure if considers this label separate from the label above, on The Donner Party release, but I get the impression the answer is yes). Paul always puts together good comps, this is no exception to that rule. They usually feature some combination of crossover, thrash, death and black metal bands. This volume features Thrashic, Wraith, Goat Rider, World In Ruin, The End, Mudlung, Eater Of Worlds, Day Of Doom, Shitangel, Emissary, Hell Priest and seven more bands! Lots to chew on and check out, this dude has some good tastes in music, and finds good bands. So, check it out and grab a copy. - Dale
www.facebook.com/thedonnerpartynj
www.facebook.com/soulgrinder.zine/
|
|
I may not review a whole lot of hardcore related bands in CA, but make no mistake, I am a long time hardcore and punk fan. As for hardcore, I was already a metalhead, but I got into bands in the ‘80s like Agnostic Front, Cro-Mags, Sick Of It All, and Black Flag. But I was also a big thrash metal guy in the mid to late ‘80s, so it was a natural progression for me to take to Crossover thrash bands like Cryptic Slaughter, DRI, The Accüsed, Wehrmacht, Suicidal Tendencies and so forth. So yes, I do not review a lot of bands like Drugs Of Faith, but you can probably get that it is also not unusual for me to be drawn to a band like this, from time to time. Whether it be hardcore, punk or crossover it needs to be violent, aggressive and in your face and usually has metal influences to some small extent to entice my interest. This band has that, and more. They come off very angry, viciously emotive in an enjoyable way. Their base sound is hardcore for sure, in my view, but they also have heavy metallic guitars, thrash influences and they even mix in spices of grindcore to really juice me up. I very, very rarely comment on or bring up anything political in Canadian Assault despite having very strong political views and a loathing of the current state of country politically. But all the same I must say I got into a lot of lyrical content on this album, it is not a concept album, but all or most of the lyrics deal with politics. This trio also features, and this initially caught my attention to look into this band, the guitarist/vocalist Richard Johnson is in the bands Agoraphobic Nosebleed and Enemy Soil. Richard’s vocals on here are fucking phenomenal, he has an awesome hardcore voice mixed with hints of death growling yells at times. He sounds like a caged animal that has just been set free and is ready to go on an adrenaline fueled revenge rampage on his captors. Despite all the rage, these guys do know how inject emotional aspects to their guitar work and song construction provide some nice, albeit, brief emotive respites from the pummeling. If you dig all that I described above and references made then you need to hear this wild slab of music. My only complaint about a lot of hardcore, and hardcore adjacent scenes, is they try to pass off short recordings as albums. This is labeled as a “full-length” album, but truth be told we are talking about 21 minutes of music, that is an EP all day long for me, at most maybe you could call it a mini-album maybe, but even that is a real stretch IMO. Now, granted, it is an amazing twenty-one minutes and if you are okay with all of that (I mean it is fantastic listen played on repeat). Then I can not recommend this record highly enough! Just grab a copy and thank me later.
- Dale
https://www.facebook.com/drugsoffaith
https://selfmadegod.bandcamp.com/ |
|
|
|
|
|
|
|
