“Through Realms Unseen” CD

(Pulverized Records)


Entrapment come out of the Netherland’s death metal scene with their newest release “Through Unseen Realms”. This album features eleven songs of solid, heavy death metal with some very creative and well performed passages. The guitars are played with both heavy mid paced guitar riffs and more straight forward fast patterns. The guitarist does know how to write, and perform well written guitar patterns, and even mixes in some well done solos. The drums are done with a lot of class, and well done patterns going on an all out assault on the drum kit, to a more controlled mid paced drum style. This is my first time hearing Entrapment’s music, but this new release mixes solid, heavy death metal with some melodic dm passages and even some thrash elements in the guitars.  - Patrick

http://entrapment2.bandcamp.com/    http://www.pulverised.net/          




“Through The Walls Of Flesh” CD

(I Hate Records)


The thrash metal scene lately seems to be really growing and making another comeback. Entrench who have been around for a while, show that the Swedish thrash metal scene continues to flourish. Entrench are proudly old school thrash to the maximum here, with their 3rd full-length they sound like they are straight out of the mid to late ‘80s, when thrash metal was king. The band rip things up with a speedy assault, filled with swift catchy riffing and slightly unconventional, but interesting patterns and flow if you pay enough attention, you will be rewarded with some subtle tasty guitar work. The drumming punishes and pummels with ferocity and a real high level of control and maturity. I guess I should not be surprised, as I just looked up the drummer Mats Blyckert, it appears he has been honing his craft in the bands Aboth and Dead Awaken as well, playing almost consistently since 1989! Plus, of course, he has also been playing in Entrench since 2005. The vocals have that dark, obscured thrash gruff hiss to them, but unlike the music the vox have a little more modern influence, from early ‘90s death bands accompanying the traditional thrash delivery. I have seen a few reviews comparing them only to Merciless and Sadus, over and over, which are fair comparisons yet I wondered why all of them came up with that until I read the bio which names those two bands. I say that, because I do not know how you could not list the obvious middle-late ’80 German thrash influence, especially with regards to Kreator who are clearly a big influence. I thought I even heard a hint of Forced Entry in there, but I may be imagining things haha. If you are a die hard fan of classic thrash metal, then you will love this, it will bring back to you that old great feeling.  - Dale

https://www.facebook.com/entrench    http://www.ihate.se/    




“Malformed Conscience” CD

(Horror Pain Gore Death Productions)


It is a pretty interesting coincidence, at least to me, that I receive an album from a band not only out of my homeland and even the same province. But, they are also signed to a record label, which is only a short drive away from where I now reside in Pennsylvania. It is a small world I guess. The band plays a style that unlike many sub-genres these days is not oversaturated. I am talking about Crossover Thrash, you know thrash metal mixed with healthy doses of punk and hardcore. Epi-Demic keep it traditional and right down the middle, with frantic speed showing little to no sizeable swings in tempo or range, another trademark of the bands that defined the term Crossover. Epi-Demic do slip in some pretty catchy rhythms into the riffing framework, at times, which helps keep the interest and differentiate the songs a little more from one another, in turn producing a light headbang from me. Between the punk and hardcore influences, I would say hardcore is far and away taking the lead with a lot of hardcore style cadence to the pacing. Plus, you have the vocals, which are probably more hardcore shouted style than your usual gruff thrash vocal staple. Some bands I can hear influence from on here are Cryptic Slaughter, Wehrmacht, SOD, Crumsuckers, COC during their crossover period, maybe a little bit of early Nuclear Assault as well. You often hear in reviews, they are retro but bring in modern touches, I am not saying that here these guys are old school all the way, even the production in some ways, but they own it and are proud of it. So kudos to them for doing what they like, and not pandering to modern fans, just to try to be more relevant as it seems like a lot of bands try to do. It might not be mindblowing stuff, but it is good Crossover Thrash, done unapologetically in the old tradition with spiked fist to the face.  - Dale

https://www.facebook.com/theplaguebegins13    http://www.horrorpaingoredeath.com/   




“Sacrosanct” CD

(Lavadome Productions)


Coming out of Belgium’s death metal scene is Epoch, with the cd version of “Sacrosanct”, which was originally only a digital release back in 2015. The music is heavy death metal, with elements of black metal and various other genre’s mixed in, to create a very heavy and unique sound and style. The guitars are nicely performed and well written; mixing in raging fast speeds, but the guitarist can also play mid paced sections with similar skill. The music is a nice mix of fast melodic parts and moving at times into more diverse tones and patterns. The vocals are brutal death metal growls with some gruff vocals mixed into a few of the songs. To sum it up, Epoch create and execute an enjoyable style of death metal with some other varied minor influences, so if you are a fan of brutal yet unique death metal then be sure to check this out today.  - Patrick

https://epoch616.bandcamp.com/album/sacrosanct    http://www.lavadome.org/  




"Revenge” CD

(Postunder Records)


It is always a pleasure to receive, for review, releases from the great South American UG metal scene. So it was very cool to get this album of Estigma, a band who come to us out of Peru, a country that has a bigger more quality scene than many people outside of South America would ever believe. Some might remember I listed Estigma, as one of my fave bands on a recent review of the Soulgrinder compilation. The man who put it out, Paul Caravasi seen that and sent me this album, so all thanks goes to Paul for this review. The band plays deathrash metal, with pretty equal parts from both sub-genres, possibly leaning a little more to the thrash side of things. Despite my preamble about the SA scene, this band actually outside of the well done decipherable death growls with a slight native accent undertone, sound very American, as in the United States of America. To give you a picture of the influences, think of a mixing of Bay Area thrash (late ‘80s / early ‘90s) and Floridian death metal (early ‘90s), leaning toward the more clean and polished albums from those scenes. When I say polished I refer to the total package of playing, hook laden catchy songwriting and production, which is not to say it is not heavy as fuck too, because it is! This honestly is an excellent album, truly quality from top to bottom from the music itself, to the top notch production and instrumental performances. Having said that, looking deeper into the history of the band, I was interested to find out after releasing a demo, EP and an album in the mid-90s this album is their first release in 19 years!! I assume the band split at some point or was just put on hold, not sure either way, but they had an awful lot of time to work on this record. So, it was a surprise for me, to find out that 50% of this album is made up of songs from their past works all those years ago. So I guess this album better be damn good (and it is) if in total it encompasses twenty years of song writing! Anyway, back to the music, my two favourite parts were the strong, proficient drum work and the tasty accomplished guitars, which are expertly crafted and drip with emotion and class. I think my fave track might be the title track, which embodies everything great about this band and I am sure is destined to be a future classic song live for the die hard followers of this band. Estigma represents yet another fine example among many of why the South American scene is one of the very best in the world.  - Dale

https://www.facebook.com/estigmaperu    https://www.facebook.com/postunderproductions       




“Cataclysmic Desolation” CD

(Comatose Music)


Minnesota’s Face Of Oblivion are back with their second full length “Cataclysmic Desolation”. They play a brutal death metal style that has a blending of middle ‘90s sound and some elements of more recent technical death metal. The drums are played with a lot of skill that goes from crazed blast beats mixed with some really well constructed drum patterns. The vocalist is Jesse Watson (singer of Incinerate) does a great job with his deep, brutal growls, and in a few songs, there is even a few lines of raw screams mixed with the death metal growls. If you enjoy brutal death metal, with touches of technical death, be certain to pick up a copy of Face of Oblivion’s new cd today.  - Patrick

https://www.reverbnation.com/faceofoblivion    http://www.comatosemusic.com        




“Forever Resonating In Blood” CD

(Horror Pain Gore Death Productions)


As I always say, it adds a bit of extra excitement for me, when I get a release for review from my homeland like with Canada’s Feral. I am immediately struck by the vocals on here. Now, I like screechy and screaming vocals for the most part, I mean I am a fan of everything form Burzum to Lust to The Accused etc… But, the vocals from this one band are nauseatingly annoying, to the point of almost being headache inducing. I am sure fellow parents will get this, but I have a young daughter, back when she was 3 to 5 years old, she would have these ultra melodramatic screamy, yelling, crying hoarse voice temper tantrum meltdowns. Well, mix that sound with a bit of the usual metal and hardcore type screech ‘n yell combo, and you will get an idea of what the Feral vocals sound like. It took me two full listens of this album before I could focus much past the vocals and listen to the music. The music has it’s moments, with some nice guitar work infused with the odd cool emotive moment or nuance I enjoyed. The bulk of the music though, while solid enough I suppose, feels a little disjointed, like some jam parts were just connected together to make a song and lacking the feeling of a finished flowing song. Back to the guitar work, there are some killer guitar fills and solos, yes I know it is black metal or at least is presented as black metal, but there are a lot of moments which suddenly sound much more heavy metal or hints of thrash. Possibly a sad thing, since it is a bm band, those non-black metal elements are almost always the best moments on this album. There is definitely some passion on here and a talent for coming up with cool parts of songs, but it feels like there is a distinct lack of overall vision and aptitude, when it comes to song writing / craftsmanship. This might be a time when having people to collaborate with, might pay off if he can find some suitable people, oh and definitely work on those vocals. There is a first time for everything; I do not think I have ever said this before about a Horror Pain Gore Death release, but this is something I would say you should give a pass on.  - Dale

https://www.facebook.com/ftwlidtjlctp/    http://www.horrorpaingoredeath.com/       




“King Is Rising” CD

(Cruz Del Sur Records)


The German power metal kings of saying the word king more than any other band, in that they work it into their name, album title and pretty much all of their songs! Haha. No, they do not spare the cheese quotient, in the lyrics and concept. These guys are not resting on their laurels; it seems like only a couple months ago, I was reviewing their debut album “Kingdom Of The Hammer King”. This record pretty much picks up right where the last one left off, which is energetic, uptempo melodic music that is a little on the lighter more airy side heavy metal, but still possessing the earmarks of the old traditions. I still hear influences like Manowar, Blind Guardian, Hammerfall, Grave Digger etc… The vocals are very good, as you need for this style; the vocalist has some good range and control over his pipes. Honestly, like I said just check out my last review, as this is really is totally a continuation of their last album (though now with more flute J), so if you liked that one you will not be disappointed in this follow up record. If you have never heard them, I think I have given a decent idea of what to expect. But in my view, they do everything very well, it is enjoyable for me, but in the end it is pretty predictable stuff and not too essential to more discerning or picky fans of this style.  - Dale

http://www.hammer-king.com/   http://www.cruzdelsurmusic.com/      




“Split” LP / CD

(Cruz Del Sur Music)


Hands start things out with four of the first five tracks on this album, The Wandering Midget has, as you would expect, the longest track on the record, despite that Hands of Orlac’s opening song is no lightweight clocking in at just over 14 minutes long. The band is originally from Italy, now residing in Sweden, I can hear some of that Italian influence in there with certain elements of their sound reminding me of stuff like Death SS, Paul Chain and even a touch of Mortuary Drape. Hands of Orlac play pure hard rock & metal classic doom metal of the ‘70s / early ’80s style. I heard some of their old stuff with faster, more heavy metal guitar featuring more in your face production. I must say this more laid-back sound and production really suits them so much better, in addition to an obvious self-assured maturity now creeping into their songwriting over the years. The vocals of frontwoman The Sorceress suit the music very nicely, they are also in the old style and have a really soothing, spellbinding quality to them which reflects back and adds to the depressive trippy atmosphere of the music so well. The vocalist also plays and the band incorporates the flute (a fair bit yet not to excess), but in a way I can dig, it is kind of slightly lower and obscured in the mix (past releases the flute was far too loud/high in the mix for me) giving off more of a cool ‘70s atmospheric, hypnotic and melancholy vibe. That first song, “Curse Of The Human Skull” is a minor masterpiece, in my opinion. They follow up that fourteen minute marathon beauty, with a six minute song (featuring some more upbeat rocking sections) and two interlude pieces, all of which keep the quality level on the up tick. Their side is worth the price of the record alone! I am now in love with Hands Of Orlac, here is to hoping this is them finding their stride and window into the sound they will carry forward into future releases. Next, we move to The Wandering Midget, who appears with only one song “Where We March The Vultures Follow”, which features the mammoth running time of 18 plus minutes!! This is the first release for Wandering Midget in nearly five years so there is excitement for it. We are treated to some really good dark classic doom metal, but not as much rooted in the ‘70s as Hands Of Orlac, no they are modern sounding and owing more to bands like Candlemass and Solitude Aeturnus. The guitars are more up front, and slightly more biting, but just enough of the requisite fuzzy doom edge to them. The song starts slow and melancholic, eventually building tension until the band explodes with an emotional outburst I found quite poignant and powerful, they then slowly bring us back down while maintaining their triumphant depressive gloomy aura all the while. The classic vocals are really freaking good and are filled with emotion, matching the music in every way and sometimes, somehow, even surpassing it. This is a truly a fantastic split album, of which, all classic doom metal hounds should strive to add to their collection.  - Dale

https://handsoforlac.bandcamp.com    https://www.facebook.com/TheWanderingMidget   




“Horror God/Techne” Split CD

(Lavadome Productions)


Coming out of the Russian death metal scene is Horror God, who supply three brand new songs here, as well as a cover of Purulence’s “Sinking Into Transparency”. This is my first experience listening to the band, they play a solid form of death metal, but they are not afraid to explore and add other genres of metal within the mid paced death metal mainstay they create. The musicianship features a lot of creativity, and well written and played performances on their instruments. Horror God play their own style of death metal and do a very good job of it. Techne are up next, they play a progressive death metal style of music. The band does add in some excellent progressive metal elements and early rock influences within their music. This is a band that plays a very good brand of progressive death metal, yet I still just can not get into this, but if you like the idea of a split with two quite different sounding bands you might want to pick this one up.  - Patrick

https://www.facebook.com/horrorgod    http://lavadome.org/  




“Blight Upon Martyred Sentience” CD

(Profound Lore Records)


Impetuous Ritual’s recent release Blight Upon Martyred Sentience begins like a storm: the drums and guitar are thunder claps that ominously resonate overhead as the atmosphere approaches like a noisy curtain of rain tumbling into the composition. The ambiance is all encompassing, enveloping you into a murky reality that will be your home for the 43-minute duration of this album. Cavernous production quality is a mainstay here, similar to the assembly of Teitanblood and Grave Upheaval, although Impetuous Ritual utilize this aesthetic in a way that is very much their own. They allow their instruments and deep, intimidating vocals to seep through the mesh as the listener gets to feeling more and more acclimated to the album’s environment. The further the album progresses, the more the listener’s eyes adjust to seeing the figures in the surrounding darkness: shrieking guitar leads that are composed in such a way as to feel tumultuous while still being tightly executed, for example. In the track “Apoptosis”, this element occurs overtop the tenacious drumming from Necros Craigos, which provides an extra layer of dimension to sink into past the outer layer of the overbearing production quality. Then comes one of my favorite tracks on the album, “Synchronous Convergence”, which bears similar attributes, but arrives at a point where the listener feels completely oriented to the established setting of the album. Vocals come through clearer on this track, the guitar work is slightly more distinguishable from the mixing, and the drumming feels slightly more methodical. “Sullen” winds the album down to its near closing with a slower approach to the familiar characteristics of the album, and rings a foreboding bell to cue the finale. Overall, Blight Upon Martyred Sentience is a fantastic album from the Australian atmospheric death metal band that has been consistently unleashing exceptional albums onto the scene since their conception.  – Aaron

https://www.facebook.com/ImpetuousRitual/   https://profoundlorerecords.bandcamp.com       




“Destroyer Of Mankind” CD

(Abyss Records)


It was a nice surprise to receive this disc in the mail. I was a fan of the band’s first two records, especially the second one “Berserk Artillery Barrage”. So much so, on the strength of that record, we interviewed them in Canadian Assault back in the print days, believe it was issue 6 or 7. Despite it being about 15 years since then, the band has picked right up where that second record left off, continuing with that style / sound that made me like them. Invasion has melds a large dose of catchy melodicism within death metal extremity, but it feels like they may have turned said ingredient up even further on “Destroyer Of Mankind”, as this record is as catchy as all fuck. I still hear that early ‘90s Swedish death metal guitar sound and style I love so much, however I feel like they toned that element down a tad, with other influences from the same time period via other parts of Europe (ala Bolt Thrower, Benediction, early Sinister) and the US have asserted themselves more prominently. There is a little more refinement in the material, aside from the high tunefulness mentioned above; there are some great underlying guitar fills and patterns that are pure class. I can hear an example of it right now, as I write this, on the killer song “A Satisfying Death”. Main man of the band bassist / vocalist Peter Clemens has his death growling pipes in fine form, as he puts on a commanding performance consisting of mostly decipherable bestial growling, which is sure to frighten even a raging bear into turning tail. I see Peter is still obsessed with World War II, as with past albums, it is largely or even solely based upon that epic war. I can not blame him there is a ton of material to be mined (no pun intendec) from that war, and as a bit of a classic war buff myself, it is the war I probably find the most fascinating as well, not sure if my grandfather fighting in that war and on D-Day might have something to do with my personal interest in the subject. But Invasion do it justice, the lyrics on WWII are passionate and visceral (with various audio clip samples to aide in setting the scene), even rather moving and has me reaching for my Band Of Brothers dvd set, since it now has an alternate soundtrack courtesy of Invasion. Well done boys.  - Dale

https://invasion2.bandcamp.com/    http://www.officialabyssrecords.com/   




“Among The Dead” CD

(Crime Records)


Iron Fire are back, with their eighth full length to date, featuring twelve songs of power metal mixed with traditional heavy metal. The guitars are written and performed with a lot of skill and maturity, presenting a lot of class and interesting patterns. The guitars range between faster and more controlled mid paced ranges, with some very well composed and great sounding solos mixed into the music. The drumming as well is top notch, with a varied drum style going from a semi-fast drum style and sound, to a more mid tempo style. The vocals are a mix of screams and hollering, to a more well sung, heavier power metal vocal fashion. This album is a really good power / heavy metal band, so if you are a fan of this genre, then be sure to pick up a copy of this album today.  - Patrick

http://www.ironfire.dk/    https://shop.crimerecords.no/   




“Angel Plague” CD

(H.P.G.D. Productions)


Coming out of New Jersey’s death metal scene, is Kalopsia, with their third full length “Angel Plague”. Kalopsia play heavy, chaotic death metal which is not all fast, as the band writes and plays some very good mid paced sections. The guitars are played with a lot of skill, their experience level shows through as in their playing, going from an all out assault of fast riffs and patterns to a more controlled, well written mid paced passages. The drums follow along in the same vein, possessing a lot of power and skill, showing variety with more of a mid paced style in a few songs. The vocals are deep death metal growls with some gruff screams used in a few of the songs. If you enjoyed Kalopsia’s previous releases then be sure to check out “Angel Plague” today.  - Patrick

https://www.facebook.com/youwillsubmit    http://www.comatosemusic.com/     




“Alliance For Death Domination” Split CD EP

(Dead Sheep Productions)


I have to admit I was very interested in this release when I pulled it out of my mailbox. Just the immediate first impression I received from the band names, song titles, cover and hell I also like the attitude / mindset to call your record label Dead Sheep haha. It sounds like something I would do, Autopsy Kitchen anyone? Anyway, on to this split, Karonte, a veteran band is up first up with three tracks on this 22 minute EP. They hail from Spain, which immediately conjures up past memories of brutal death metal bands, from that country. Spanish dm bands traditionally tend to have this dark, and very mean brutal sound and dangerous feeling atmosphere to their music, Karonte carries this tradition on in fine form. Well, maybe Karonte has a hint more melodo finesse and catchiness to their riffs, comparing to many of their countrymen, but only a hint I say. I would say this is most evident, on the third track “Dominación”, which incorporates a more distinctive level of heavy metal guitar histrionics, but also slows down the pace a fair bit and in so doing brings a doomy feel to the track. Damn, this is a great first half to the split. Bloody Brotherhood also from Spain, comes at us with two tracks, “In Tyrant’s Land” & “Thousand Years Of Lies”, both of which are a little longer than the Karonte hymns. BB has a cleaner, less dirty (I mean that in a positive way) guitar sound than Karonte, but also play death metal and do so mostly at a middle pace. Bloody at first blush, does not seem quite as brutal, but they have their moments and the brutish bits come at you in sudden fits and starts like a suddenly striking viper after it took a moment to size you up. The vocals are growls, but at times have black, hate dipped emotive vitriol to them, which I like very much and those vocals do a lot to give the band a certain atmosphere and feel, which could at times, be reflected more in the music to make the songs more powerful, in my opinion. I did not enjoy the Bloody Brotherhood side of the split as much as Karonte, but having said that Bloody have some really good things going for them and I look forward to hear more from this young band as they progress into the future. This is a pretty killer release, I have the disc, but there is also a 10” EP vinyl version as well. I bet these songs sound fantastic on the turntable. Whichever version you check out, I have a feeling you will enjoy it, if you are a death metal lover there is a lot take in on this release for an EP. I hope to one day find more rotting pieces of dead sheep’s delicious carcass in the future.  - Dale

https://www.facebook.com/deadsheepproductions/    http://deadsheepproductions.es/   




“Exilasmos” CD

(Iron Bonehead Records)


My first experience with Kawir was around the ‘93/94 time period. I tape traded for the bands first release which was a promo demo released back in 1993. I really enjoyed that tape, but besides a ’94 ep, their debut album and a later split ep, but I never kept up on the bands releases from the 2000’s onward unfortunately. But here I am nearly 25 years later after I tape traded for that promo and the band is still going strong! It is good to see one of the early bands of the Greek black metal scene, who have stayed true to their roots, amongst some notable examples of bands largely abandoning them (ala Samael, Rotting Christ etc…). I say this, but do not misunderstand me; the band is not just playing the same old thing they did over twenty years ago. No, they have clearly progressed in their playing ability and song crafting, there is more intricate structuring, as well as higher doses of melody injected into the freezing murky atmosphere. Still, there is always that ribbon of their sound, which can clearly be followed back to their beginning possessing the early to mid ‘90s Greek black / death aura and dark tone. I dug the bombastic booming accent elements (I imagine fans will wait for it and thrust a fist in the air live), they are hard to describe, but when you listen to the track “Thyestia Deipna”, you will hear what I mean and while you are there, be sure to check out the superb inspired guitar work in this song. The guitar work definitely should not be understated, not only is it technically sound, but additionally the writing and performance can be very emotive at times working expertly within the sinister and often evil atmosphere, adding another layer of depth and quality. The epic feeling of the final track, entitled “Orestes”, even has old school Iron Maiden influence slithering in and out of the guitars. There is so much going in this song, from triumphant heavy metal parts, to a blistering hateful classic second wave black metal sequence, there is even a ripping guitar solo thrown in. It almost seems like all of that should not work together, but Kawir expertly crafted this excellent song, producing a seamless mighty anthem, clocking in at nearly eight minutes in length (which is not over long for this record as all of the songs are in the 6 plus to 8 minute range but none are more epic than this one). I am pleased Iron Bonehead, who I have followed since inception has managed to bring me back to this great Greek band, who have forged an impressive legacy for themselves in the annuals of the underground metal scene. This legacy has only been furthered by this ambitious concept album of Greek Hellenic mythology.  - Dale

https://www.facebook.com/kawirblackmetal/    http://www.ironbonehead.de/     




“Shores Of Oblivion” CD EP

(Xtreem Music)


Killing Addiction first formed at the end of the ‘80s, they released a demo tape in 1990 and a 7” EP in 1991, before putting out their debut album “Omega Factor” in early 1993. Did I mention they are from Florida? I am not sure why they did not get more attention, or more well known, along with so many of their peers early in the early to mid ’90s, as people were eating up anything Floridian death metal back then. The band called it quits some time in 1994/95, but decided to get back together some years back now. “Omega Factor” (I had my JL America cassette baby hehe) is, and was, my only experience back in the day (or since then) with Killing Addiction. I liked that debut album, it was good early death metal. Listening back to that album, and then “Shores Of Oblivion”, it would seem the band has stayed true to their old school dm style, back then though I think they may have had a bit more dynamic song structuring. Yet, this more straight forward, stripped down structuring on this EP, seems to fit them well. If anything, since the early days, Killing Addiction has slowed things down a tad, going for a more brooding gloomy vibe with the atmosphere. I kind of dug how the third track “Extinction Agenda” starts, it fades in slowly with a sort of muffled effect until everything slowly becomes clear, not only that but it starts off sounding like you are already a minute into the song, not something I want on every song but a really cool effect for one track on here. Besides the heavy dirge riffs, I think my favourite part of this release is the great vocal performance, from bassist/vocalist Patrick Bailey. He slides seamlessly between deep dark growling, slightly nasally growls and obscured rasping type vocals. He makes those changes in a very subtle way, so it is not jarring or too different from one style to the next, just really well done vocals. To end this review I want to say R.I.P. to guitarist (and brother to Patrick) Chad Bailey, who passed away a couple months after this recording, and prior to it’s release. This four song EP is for old school Floridian death metal fans, who are not obsessed with newer sounding death metal that has a million riffs and time changes in every song. This band is more about the song and the music rather than being fast and technical all the time. Check it out.  - Dale

https://killingaddiction.bandcamp.com/music    http://www.xtreemmusic.com/        




“Portentaque” CD EP

(Pagan Records)


It is great to see Pagan Records still going strong! I used to be in contact with the label owner Tomasz Krajewski even before the label started when I ordered issues of his great Holocaust fanzine. Then he started the record label and I purchased some of his first releases (Crucifier “By Disgrace Of God” EP & Behemoth “Return Of The Northern Moon” Demo cassettes) and even eventually interviewed him for CA close to 20 years ago now! Okay, that is enough of a trip down memory lane now. So onwards with examining the 19 minutes of music at hand on “Portentaque”. This is my first chance to hear the band. I was immediately taken by the dark and murky death metal within. If you can imagine a more atmospheric, slow motion doomy churning version of the mixing of things like early Grave, Asphyx, Incantation, Necros Christos and threw in a dash of “Mental Funeral” Autopsy. Then you would start to get a decent idea of the fresh hell of an audio landscape that Kult Mogił produces. Now, when you see atmospheric you are probably thinking there are wall to wall synth and other effects; well you would be dead wrong, as this is a thick atmosphere is produced only with traditional instruments. This is something for me, which makes what they have managed to produce here, just that much more impressive and pure. The vocals consist of tortured haunting screams, growls and just guttural pain that also remind me of a mix of the Canadian band Lust, early Grave and early Autopsy vocals with an own twist that is extremely effective in sustaining and furthering that gloomy foreboding eerie graveyard feel on this recording. This band and this release resurrect and continue the tradition of truly cult of dangerous and dirty metal of death. This comes recommended and I understand there is a pretty limited amount of this 12” vinyl, so I would suggest those looking for this to hurry and snatch up this format as this music is perfect for vinyl. Now, if you will excuse me, I need to introduce myself to this bands debut album without delay.  - Dale

https://www.facebook.com/kultmogil    http://www.pagan-records.com/   




“Vicious Breed” CD

(Cruz Del Sur Music)


Coming out of Pittsburgh’s traditional heavy metal scene is Lady Beast with their second full-length release. “Vicious Breed” consists of eight songs of classic heavy metal, with some extremely well composed music back by well played instruments. The guitar work is played with both fast traditional metal riffs and solidly written and executed mid paced sections. The guitarist even writes and performs some excellent solos intertwined within the memorable music. The vocals are handled by Deborah Levi, who does a great job of belting out both conventional heavy metal vocals, as well as somewhat wild aggressive vocals, but she can is also sing with a more controlled melodic style. I would say, if you are a fan of NWOBHM, and other early ‘80s heavy metal bands then be sure to check out Lady Beast’s newest release today.  - Patrick

https://www.facebook.com/ladybeastofficial/    http://www.cruzdelsurmusic.com/     




"Aftermath” CD

(Comatose Music)


Italy’s brutal band Logic Of Denial, are back with their third attack entitled “Aftermath”, featuring twelve songs. The band plays a brutal and vicious death metal style and do it with a lot of skill and talented musicianship. The guitars are played mainly with crazed and fast riffs and patterns, as well as some well done solos, mixed into a few of the songs. The vocals are low brutal death metal growls. The drums are played with some insane blast beats and the drummer does know how to create and perform well done heavier mid paced skin beating. If you are a fan of modern brutal death metal then be sure to pick up a copy of “Aftermath” when it is released.  - Patrick

http://www.logicofdenial.com/    http://www.comatosemusic.com/      




“Far From Light” CD

(Cruz Del Sur Records)


Cruz Del Sur are quickly becoming the champions of heavy metal, the label tends to have quite discerning tastes and their stable, to me, is beginning to set the standard for excellence in the genre these days. This German band is clearly full of energy and very talented. They play an entertaining brand of heavy metal, which is deeply rooted in the NWOBHM and I can hear a lot of Iron Maiden at their deepest core. Much like those heroes and Judas Priest, there abounds some wonderful soaring twin guitar harmonies. That is the main template for their sound, but they do have some other influences, as I hear a bit of 70s and believe it or not, some slight influences from ‘90s extreme metal. Which is quite the juxtaposition, with some of the very light airy moments, sitting next to the heavy, gloomy introspective passages elements. There are some frolicking lively guitar solos scattered through the album which were engaging and pleasurable, those solos give off a improvisational vibe to me. One thing that is a must, if you are even going to attempt this genre is a good vocalist, enter Alex Vornam. With his soaring clean vocals, which are possibly a tad too light and not gritty enough for some, but he fits the music well and has a smooth voice with pretty solid range. Yeah, this is a pretty kick ass album, displaying real talent across the board. I guess the only criticism, I might have is some of the songs are a little too long, about half of the songs are 8 to 10 minutes long. There is nothing wrong with that, but I think maybe this very young bands experience is a little short, and their maturity as song writers, needs some more time to develop before they have the vision and discipline to make such epic length songs. I have little doubt as I said, with some experience, that they will be full value for such a gargantuan undertaking. Having said that those are still good songs, but could benefit from a little tightening up. But, if you are a fan of the styles I mentioned above, then I am certain you dig this album.  - Dale

https://lunarshadow.bandcamp.com/    http://www.cruzdelsurmusic.com/       




“Phantasmagoria” CD

(Greyhaze Recrods)


Originally released in 1989 Brazil’s The Mist is getting their debut album “Phantasmagoria” re-released through Greyhaze Records. For those who have never heard The Mist, they played fast and thrashing metal, but the band was not all blind speed and aggression as the music is extremely well written and performed. The guitars filled with both chaotic fast riffs, but do slow to a more controlled mid pace, in a few of the songs. The guitarist knows how to write some extremely tight patterns and even does some well done solos in some of the songs. The vocals are raw thrashy screams with some deeper gruff screams mixed into the music. If you were lucky enough to have heard The Mist back in the day, be sure to this up, re-live the glory days of the classic thrash metal scene.  - Patrick

https://www.facebook.com/TheMisTband/    http://greyhazerecords.com/   




“Gospel Of Despair” CD

(Transcending Records)


This is my first time tangling with this U.K. doom metal band which features members of Khang, Lazarus Blackstar, Solstice etc… Monolith Cult play classic traditional epic doom metal, in the vein of bands like Candlemass, Black Sabbath, Solitude Aeturnus, Argus, Iron Maiden (some melodies and structural nuances remind me of them). Also, even though they do not play doom death metal, as such, there are some points they remind me a little of old Paradise Lost, partly in sound and partially in the atmosphere create. Speaking of atmosphere and feeling their music invokes, it conjure up in me a very mournful, desolate mood, making me feel melancholic in a good way. This is not a feeling I like feeling in everyday life, but Monolith Cult make it feel like a warm, soft and comforting blanket to mentally wrap myself within. The guitars and song structuring are really make that happen, they get their hooks in you drawing you in and pulling you along almost trance-like, with their heavy flowing melodies and emotive, expertly crafted compositions. A couple minor criticisms I have, well they may fall more into personal taste territory, but at times, there is a cool heavier section and riff they could really set down on a ride out a bit more to great effect, but they move on to lighter or more subdued material too quickly. Finally, the bass seems so low in the mix, it feels almost non-existent at times I wish the bass was a little more prominent, which would give the record more bottom end and density to properly back the great guitar work and fantastic poignant drumming. This finally brings us to the vocalist Bry, he has a very time-honored conventional doom style to his soaring voice, which reminds me of a mix of Robert Lowe from Solitude Aeturnus and Messiah Marcolin of Candlemass, but with possibly more of an ‘80s heavy metal singer undertone like maybe hints of Dio, Dickinson etc… that is not prominent and down in the mix of influences, but I still feel it is there. His vocals do much to proliferate and accentuate the somber vibe, which is steeped in gorgeous misery. I have to admit all of this took a while to sink in for me, it was not immediate upon first or even second to be honest, but every listen there after, it started to sink and possess me with it’s hypnotic and depressive charms. So, I would wholeheartedly recommend this to doom maniacs, however I would suggest you be prepared to give it time to work it’s magic.  - Dale

https://www.reverbnation.com/monolithcult    http://www.transcendingrecords.com/     




“Immortal Force” CD

(Greyhaze Records)


Greyhaze Records is getting set to re-release, yet another Cogumelo Records classic Brazilian band, this time around it is Mutilator with their debut album. Originally released in 1987, “Immortal Force” is thrash metal at it’s best, playing extremely fast thrash showcasing musicians who know how to write and perform quality music. The guitars are played with hyper-speed riffing patterns executed with skill and excellent precision. The guitars do slow to a more mid paced range, at times, with some nice patterns and solos intertwined within the music. The drumming, is top notch, with both fast blasting drums and more controlled mid paced patterns. If you were lucky enough to have heard this band back in their prime, then you know what to expect, but if you are a new listener then just imagine fiercest, most violent thrash metal possible. Check this release out today.  - Patrick

https://greyhazerecords.bandcamp.com/    https://www.greyhazerecords.com/  




"Witches Funeral” CD

(The Sign Records)


Now, it's time for some thrashy Black Metal, I guess. A catchy type of raucous, so far. It sounds like mischievous raccoons scurrying around fibrous tree trunks on a moonlit night. The songs have a tight structure yet have a deliberate sloppiness stemming from (or around) their core - to make the overall atmosphere feel lively and present. They have that "controlled chaos" aspect, I'd say. A little off kilter but masterfully gliding along the left hand path - with a smirking knowing wink, no doubt. A raw touch of the diabolical with a seemingly aloof panache. I like the two different guitar patterns going on much of the time (left and right variations - complimenting each other). Keeps things interesting. Quality deviltry, here...or pseudo-deviltry? Either way...it's pretty enjoyable. Oh...wow. Just as I was about to end this review, I heard a familiar song beginning. It's a cover of Slayer's "Angel of Death". Not bad. Not great...but not retch-worthy, either. Seems a bit out of place, though. Two more songs to go. Back to the more impassioned style of their own. Yeah, this is some fine work, here. Recommended.  - Anders

https://www.facebook.com/nekrokraft/    http://thesignrecords.com/       




“Nyctophilia” CD

(Greyhaze Records)


Brazil’s raw thrash black metallers Nervochaos are back with a new release featuring thirteen songs. The guitars are played with intense, fast guitar patterns throughout most of the songs. But the guitarist does slow down to a more controlled mid pace pattern in a few of the songs. The drumming is done in the vein, with chaotic and crazed drum patterns, but does slow to a heavier slower pacing. The vocals are a mix of raw death metal growls and some screaming intertwined within the mix. If you are a fan of the previous Nervochaos releases then be sure to pick up a copy “Nyctophilia” today.  - Patrick

https://www.facebook.com/NervoChaos    https://www.greyhazerecords.com/      




“Vietnamm” CD EP

(Merdumgiriz Recs / NBRD Recs)


This is the solo release of Nick Noro, who comes from the robust Bay Area thrash band Survival, I have reviewed a couple of their releases now, if you want to check those out. There was already an older re-release of a Survival recording, which was essentially a Nick Noro solo release using the Survival name. But this one is quite different, man how to even begin to describe this, it is so different from Survival and different from most of what I get to review or choose to listen to. After a spoken word recount of a victim, who was shot in the head, it then cuts over to Bruce Buffer from the UFC of all things, doing one of his trademark intros. So yeah, that is the start of this four song, roughly eleven minute EP, yes it is weird. The music, which makes up the rest of “Vietnamm” is actually pretty good stuff, much better than the old Noro solo Survival record. But it is kind of hard to describe the music, it consists of cool but random short songs that are strange hard rock things, which is a mix probably of who knows what, but maybe stuff like Rollins Band, Faith No More, Mr. Bungle with some art rock and like pop punk or something. I obviously have limited references points on these styles. When I read that description of the style above, I think fuck I don’t want to listen to that, but honestly if you can stomach that kind of weird mix, this is actually some pretty interesting and catchy stuff. One thing it shows for sure, there are many musical sides and lot of talent, within this tortured (see my Survival review for details on his imprisonment etc..) artist Nick Noro. This is a pretty tough sell to most readers of my site, and honestly it was a tough sell on me too, not my kind of thing either truly, but I can appreciate the talent and vision going on here.  - Dale

https://nbrd.bandcamp.com/    http://www.merdumgiriz.org/     




“Madness Incarnate” CD EP

(Symbol Of Damnation)


If you see my review of this bands album, entitled “The Child Must Die”, you know I have become a big fan of this band. So, I was very pleased, to find this new release (limited to 500 copies) in my mailbox. The main man you should concern yourself with is Mika Mage, who is Finnish and now resides in Philadelphia, he is generally responsible for the majority of everything Nihilistinen Barbaarisuus (Nihilistic Barbarity in English), from the musical creation, to composing and concept. Though on this release, he has decided to enlist some friends, and former band mates, to lend their playing and voices to these songs. I get that feeling, from this release; it is a collection of songs rather than a cohesive whole. This just feels like it is Mika letting loose, and stretching his artistic legs, outside of the album concept, to where the individual songs are meant to be enjoyed on their own, the opposite of the old saying the sum of it’s parts… Which I think, on an ep is where you like to see that kind of thing, which if done well can be a welcome and enjoyable distraction, whilst you await the next full length album. Regardless of intentions, Mika’s superior composing skills and vision are ever present. It is a little different here at times, compared to the album, but that combination of ambient black death metal mixed impressively with frosty aggression, yet maintaining this perplexing infectious, uplifting and triumphant quality that is fast becoming a celebrated (by me at least) signature of Mika Mage’s writing style. His style is not easy to describe, but it is a near perfect blend of ambiance, cold hate and melodicism. The style, on this on five track nearly 20 minute release, varies more than the album, nowhere more apparent than vocal performances with no less than three guest vocalists. Despite the lack of cohesion in that area, it also adds a certain dynamic, varied quality which is sure to keep the listener engaged, as all the variant performances are well done. This is yet another fine Nihilistinen Barbaarisuus release, which only serves to wet the lips of the bands parched fans, myself included, who eagerly await the next full length album!  - Dale

https://www.facebook.com/nihilistinenbarbaarisuus    http://satanath.com/sodp